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Interviews
June 2, 2023
Follow Her
Director Sylvia Caminer on Making a Very 2023 Psychosexual Thriller
By
Tim Molloy
May 20, 2023
Owen Wilson’s Road Goes on Forever: In
Paint
, He’s an Artist Confronting Middle Age (Cover Story)
By
Tim Molloy
May 5, 2023
Neil Jordan on
Marlowe
, Noir, and a Los Angeles That Doesn’t Exist Anymore
By
Guillermo De Querol
April 24, 2023
Dear Mama
Director Allen Hughes on the Moment Tupac Became Mythical
By
Eric Steuer
April 12, 2023
Katie Holmes on Her New Film
Rare Objects
— and the Value of History
By
Daniel Joyaux
April 10, 2023
A Thousand and One
Director A.V. Rockwell on Her Stunning Story of New York City Losing Itself
By
Joshua Encinias
April 3, 2023
Tetris
Director Jon S. Baird on Treating a Video Game Movie Like an ’80s Buddy Cop Story — and His Insane Favorite Shape
By
Joshua Encinias
February 23, 2023
Liam Neeson and Diane Kruger Promise Us Truth in
Marlowe
, Neeson’s 100th Film
By
Guillermo De Querol
February 3, 2023
80 for Brady
Director Kyle Marvin Had to Control the Clock, Not Just Score
By
Tim Molloy
February 2, 2023
Skinamarink
Director Kyle Edward Ball Confident It Will Scare You on Shudder Just as Well as in a Theater
By
Tim Molloy
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