All posts by Natalia Leite
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Breaking and Entering, Part Two: A Map To Finding Feature Funding
If you didn’t read part one of this article, stop now and go back to the Winter 2019 issue of MovieMaker. There, we broke down...
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Breaking and Entering, Part One: How To Shoot Down Self-Doubt and Pay the Rent While Making It In the Film Industry
Becoming a moviemaker seemed like an impossibly ambitious goal when I was growing up. I was living in Brazil, watching bootleg copies of David Cronenberg films and,...
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How They Did It: Directing a Rape Scene in an Exploitation Film… Without Exploiting Your Female Protagonist
I usually don’t shy away from work that makes me uncomfortable. No matter how much it scares me, I push myself to go there, to...
Summer 2019
Spring 2019
Winter 2019
Guide 2019
Summer 2018
Year in MovieMaker
Inside the Issue: Acting
Things I’ve Learned as a Moviemaker: Richard Dreyfuss
American Graffiti, Jaws, Close Encounters of the Third Kind, Stand By Me, Mr. Holland’s Opus… even while reading like a what’s what of cinema, those titles are just a handful...
1Inside the Issue: Directing
Cold Piece of Work: Richard Linklater Braves Greenland Hurricanes for Where’d You Go, Bernadette
Richard Linklater’s Where’d You Go, Bernadette opens with the answer to its titular question. In an impressively executed overhead shot, the camera gazes down onto placid Antarctic waters as...
Inside the Issue: How To
How They Did It: The Farewell Writer-Director Lulu Wang Shares Secrets to Turning Your Life Story into a Memoir Movie
The week before production started on The Farewell—my sophomore feature about a young woman (Billi, played by Awkwafina) and her family’s attempts to keep their grandmother’s cancer diagnosis hidden...