Anya Taylor-Joy in Last Night in Soho: Edgar Wright and Thomasin McKenzie on the Problem of Nostalgia
Director Edgar Wright and actors Anya Taylor-Joy and Matt Smith on the set of Last Night in Soho a Focus Features release. Credit: Parisa Taghizadeh / © 2021 Focus Features, LLC

When director Edgar Wright first began writing his psychological thriller Last Night in Soho, he originally intended for scenes with the character Sandie, played by Anya Taylor-Joy, to be silent.

The film’s main character Eloise (Thomasin McKenzie) is new to London’s Soho neighborhood when she discovers a passageway that takes her back in time to the 1960s, where she meets Sandie, a glamorous wannabe singer.

“I had originally conceived the idea that the ’60s scenes should be like silent, or they should just be the music and not have any dialogue — that they should be like dreams,” Wright told MovieMaker.

But when Wright shared his ideas with his co-screenwriter, Krysty Wilson-Cairns, one of the first notes she gave him was that Taylor-Joy’s character should have some dialogue.

“Krysty made a very good point. She said, ‘You know, we have to fall in love with Sandie. And I think it’s difficult to fall in love with Sandie if she doesn’t say anything.’ And I said, ‘You’re absolutely right,'” Wright said. “And it’s amazing. Just one note like that radically changed the screenplay.”

Also Read: Last Night in Soho Director Edgar Wright and Star Thomasin McKenzie on the Problem of Nostalgia

Wilson-Cairns, who co-wrote World War I drama 1917 with director Sam Mendes and was also a writer on Showtime’s Penny Dreadful, knew that Taylor-Joy’s character needed to have a distinct personality to make the relationship between her and Eloise come across on screen.

“I think I maybe pushed to have the ’60s be really expanded, because for me, female obsession is a very specific thing,’’ added Wilson-Cairns. “It’s not just about how a woman looks. Like I find the women I’m, for lack of a better term, attracted to, or drawn to, it’s not just that they’re beautiful. And sometimes they’re not. It’s more about their intelligence or their personality, or even just how they carry themselves, or their ambition. And I thought, you know, this is a film about a young girl having a girl crush on someone from the past. And that bond is the most important thing in the whole film. And for that to work, we massively expanded Sandie’s character together.”

Catch Last Night in Soho opens in theaters in the U.S. on Oct. 29. More of our interview with Wright, Wilson-Cairns, and McKenzie can be found in our fall print issue, on newsstands Nov. 2.

Main Image: Director Edgar Wright and actors Anya Taylor-Joy and Matt Smith on the set of Last Night in Soho, a Focus Features release.

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