Wisdom Wednesday: Wim Wenders’ 50 (that’s right, 50) Golden Rules of Moviemaking
by Wim Wenders

This week, our Wednesday Words of Wisdom come from Wim Wenders (say that three times fast).

The German director is known for his poetic and emotional work, like 1984’s Palme d’Or-winning Paris, Texas and 1987’s Wings of Desire – the latter netting him Best Director at Cannes (as well as spawning the notably inferior American remake City of Angels). Wenders’ films are filled with a lyricism and romance borne of unforgettable cinematography – unsurprisingly, he is also a prolific still photographer and artist as well as a moviemaker. Of late, Wenders has garnered himself an Academy Award nomination for his 3D dance documentary Pina, about the legendary choreographer Pina Bausch (another in a long line of his strong female subjects). He has since declared himself committed to the 3D format, currently working on a documentary about architecture. We collected the following pithy gems from Wenders.

wim wenders

1. You have a choice of being “in the business” or of making movies. If you’d rather do business, don’t hesitate. You’ll get richer, but you won’t have as much fun!

2. If you have nothing to say, don’t feel obliged to pretend you do.

3. If you do have something to say, you’d better stick to it. (But then don’t give too many interviews.)

4. Respect your actors. Their job is 10 times more dangerous than yours.

5. Don’t look at the monitor. Watch the faces in front of your camera! Stand right next to it! You’ll see infinitely more. You can still check your monitor after the take.

6. Your continuity girl is always right about screen directions, jumping the axis and that sort of stuff. Don’t fight her. Bring her flowers.

7. Always remember: Continuity is overrated!

8. Coverage is overrated, too!

9. If you want to shoot day for night, make sure the sun is shining.

10. Before you say “cut,” wait five more seconds.

11. Rain only shows on the screen when you backlight it.

12. Don’t shoot a western if you hate horses. (But it’s okay to not be fond of cows.)

13. Think twice before you write a scene with babies or infants.

14. Never expect dogs, cats, birds or any other animals to do what you’d like them to do. Keep your shots loose.

15. Mistakes never get fixed in post!

16. Final cut is overrated. Only fools keep insisting on always having the final word. The wise swallow their pride in order to get to the best possible cut.

17. Other people have great ideas, too.

18. The more money you have the more you can do with it, sure. But the less you can say with it.

19. Never fall in love with your temp music.

20. Never fall in love with your leading lady!

21. If you love soccer, don’t shoot your film during the World Championship. (Same goes for baseball and the World Series, etc.)

22. Don’t quote other movies unless you have to. (But why would you have to?)

23. Let other people cut your trailer!

24. It’s always good to make up for a lack of (financial) means with an increase in imagination.

25. Having a tight schedule can be difficult. But having too much time is worse.

26. Alright, so you’re shooting with a storyboard. Make sure you’re willing to override it at any given moment.

27. Less make-up is better.

28. Fewer words are always better!

29. Too much sugary stuff on the craft table (or is it Kraft?) can have a disastrous effect on your crew’s morale.

30. Film can reveal the invisible, but you must be willing to let it show.

31. The more you know about moviemaking, the tougher it gets to leave that knowledge behind. As soon as you do things “because you know how to do them,” you’re fucked.

32. Don’t tell a story that you think somebody else could tell better.

33. A “beautiful image” can very well be the worst thing that can happen to a scene.

34. If you have one actor who gets better with every take, and another who loses it after a while, make sure they can meet in the middle. Or consider recasting. (And you know whose close-ups you have to shoot first!)

35. If you shoot in a dark alley at night, don’t let your DP impose a bright blue contre-jour spotlight on you, even in the far distance. It always looks corny.

36. Some actors should never see rushes. Others should be forced to watch them.

37. Be ready to get rid of your favorite shot during editing.

38. Why would you sit in your trailer while your crew is working?

39. Don’t let them lay tracks before you’ve actually looked through your viewfinder.

40. You need a good title from the beginning. Don’t shoot the film with a working title you hate!

41. In general, it’s better not to employ couples. (But of course, there are exceptions!)

42. Don’t adapt novels.

43. If your dolly grip is grumpy or your electricians hate the shot it will all show on the film. (Also, if you’re constipated…)

44. Keep your rough cut speech, your cast and crew screening speech and your Oscar speech short.

45. Some actors actually improve their dialogue in ADR.

46. Some actors should never be forced to loop a single line. (Even Orson Welles wasn’t good at that.)

47. There are 10,000 other rules like these 50.

48. If there are golden rules, there might be platinum ones, too.

49. There are no rules.

50. None of the above is necessarily correct.

Don’t forget to visit us next week for more movie knowledge! Previous Wisdom Wednesdays have shared the expertise of Danny Boyle, Steve Buscemi, Jim Jarmusch, Zack Snyder, Gus Van Sant, Neil Jordan, John Waters, and Eli Roth.

To subscribe to MovieMaker Magazine, click here.

Share the MovieMaker love!

Tags: , , , , , ,

Comments are closed.

Latest Stories
2013BAFFphoto151

You can take a moviemaker out of New York, but… When my first son Ben was born in Los Angeles 19 years ago, I cut the umbilical cord, held him in my arms, and said, “Ben, I just want you to know one thing—you may have been born in L.A., but we’re from New York!” [...]

NFMLA3

This week, New Filmmakers LA brings you the inside scoop on the moviemaking, featuring interviews with directors Dustin Shroff, John McCracken, Danny Finn, Juan Uribe and John Bevilacqua. NewFilmmakers LA (NFMLA) is a non-profit organization designed to showcase the innovative works by emerging filmmakers from around the world, providing the Los Angeles community of entertainment [...]

tumblr_mrwhh37C571qdshsoo1_1280

Seven years ago, MovieMaker interviewed British director Edgar Wright about the second part of his Blood and Cornetto trilogy: the devilishly sharp cop-movie parody Hot Fuzz. Today Wright turns 40, and to celebrate his singular cinematic style we’re revisiting this typically droll conversation between the director, his longtime collaborator Simon Pegg, and writer David Fear. [...]

jump-outs

Jump Outs is an urban gameshow, produced and distributed by DailyMotion as a part of their new digital programming. Production assistant David Quan walks us through the set of the unscripted shoot, involving eight ENG cameras and a dozen GoPros. It’s quiet on top of the Hill. The four of us sit in silence, but [...]

Made In LA - Social Action Documentary

In our Spring 2014 Activism in Film issue (available to the public next Tuesday, April 22!), we asked the question: Can your movie change the world? In our cover story, Beth Portello, co-founder of Cinema Libre Studio, interviewed representatives from all the different groups that make social change possible: grant organizations, engagement strategists, producers, distributors, [...]

authorsanonymous

I am not admitting anything.  All I will say is that any of these things could happen to you and might have happened to me. 1. Make the film that you want to make for your audience.  If your audience laughs, cries or is moved in some way and enjoys their movie-going experience, then you [...]

50 Film Festivals Worth The Entry Fee 2014: Savannah Film Festival

It’s finally here: MovieMaker‘s annual list of the 50 Film Festivals Worth the Entry Fee, 2014 edition! We’ll be releasing the list in five alphabetical installments, a new one every Wednesday, for the next month – so keep checking back to see if your favorite festivals made it in. Or read the full article in [...]

Beware of Images

In the spirit of our upcoming Spring issue’s Activism in Film theme, this week’s crowdfunder pick is the socially-conscious Beware of Images, a feature-length, fully animated documentary that warns audiences to digest media with caution. While public education strives to develop English language literacy among its students, serious attention to media literacy is neglected in [...]

Obvious Child

At first glance, Gillian Robespierre’s feature-length independent comedy might seem like another “first-world-problem”/bourgeois New York City drama about the general malaise hitting affluent members of the young artistic community. However, when we delve more deeply into the first official trailer for Obvious Child, the genuine heart and sense of humor that emanates from lead actress Jenny [...]