Securing distribution is that final nail in the construction project of making a movie—but it’s so hard to tell what…
We Make Movies' Sam Mestman reviews the iZotope RX 3 for this week's DIY Monday blog post. Okay, so full…
The We Make Movies (Better) blog returns for a new installment about another new music option for independent moviemakers, by…
MovieMaker is reintroducing the We Makes Movies (Better) blog from our friends over at We Make Movies! Look for their…
Finishing your RED movie using Final Cut Pro X, Redcine-X, and DaVinci Resolve In Parts 1 and 2, I showed…
Attention all Screenwriters, Graphic Novelists, Novelists-Afraid-Of-Screenwriting, and Waiters, Bankers, Accountants, Teachers, Custodians, Firefighters, Cashiers and Parking Lot Attendants who Dream…
In Part 1, I dealt with how to properly prep your RED project for long-term feature film success in Final…
In early 2011, my longtime friend and collaborator, director Ishai Setton, told me about a (very) low-budget feature he was…
Part 01: Project Prep - How to properly bring in your RED footage and build your project in FCP X.…
While I have fond memories of film school, I also remember immense feelings of frustration. Why did I have to…
Prologue This is the article you've been waiting for. You have a movie that you're aching to make but you…