First Draft

First Draft: Your Characters Lack Uniqueness? Use These Seven Ways to Give Them Fresh Voices

Published by
Ken Miyamoto

7. Action Speaks Louder Than Words

Character uniqueness goes beyond dialogue.

We learn so much more about our characters by their actions and reactions—how they handle certain situations.

One character might retreat in fear. Another might sob. One may lash out at the drop of a dime. Another might use intellect to handle a situation.

Dialogue will only get you so far. Actions and reactions are what really gives each character a distinctive voice. Imagine if characters like Indiana Jones and James Bond relied on dialogue to define their characters—it just wouldn’t be the same.

Watch Quentin Tarantino discuss the opening of Paul Thomas Anderson’s There Will Be Blood.

The first 20-some minutes of There Will Be Blood are near silent. All that we see are different parts of this man’s life. There is little to no dialogue. But his actions and reactions are what give this character a distinctive voice. When he falls into the shaft, breaking his leg, he could just as easily have died shortly after. We saw the elements he was facing and we saw how remote that location was.

His character type and character traits are identified as he crawls out of the shaft and later lays on the floor as he watches his gold being weighed and as he receives his payment. And this later continues on as he tackles the oil business.

We know who and what this character is well before he speaks any words.

I mentioned before that creating distinctive characters is easier said than done. But when you apply those first four effective ways to determine both when you are failing and succeeding, you can then use the final three to build each and every character—big or small—and give them the depth they need to be easily distinguishable from all others. That’s when you have characters that leap from the page. That’s when they almost write themselves. MM

This post originally appeared on the blog ScreenCraftScreenCraft is dedicated to helping screenwriters and filmmakers succeed through educational events, screenwriting competitions and the annual ScreenCraft Screenwriting Fellowship program, connecting screenwriters with agents, managers and Hollywood producers. Follow ScreenCraft on TwitterFacebook, and YouTube.

Pages: 1 2 3 4 5 6 7

Page: 1 2 3 4 5 6 7

Ken Miyamoto

Recent Posts

  • Gallery

The 13 Most Captivating Prison Movies We’ve Ever Seen

These prison movies are captivating. Get it? Anyway, we hope you enjoy this list.

1 week ago
  • Gallery

11 Best Brunette Friends in ’80s Movies

Cute brunette friends are an essential part of '80s movies. Sometimes they even end up…

1 week ago
  • Interview

SLO International Film Festival Wraps 30th Anniversary With Plans for New SLO Film Center

The San Luis Obispo International Film Festival has wrapped its 30th annual celebration, but it…

1 week ago
  • Gallery

The 13 Most Voyeuristic Movies We’ve Ever Watched

The are the 12 most voyeuristic movies we've ever seen. They like to watch —…

1 week ago
  • Gallery

Dr. No: 13 Behind the Scenes Photos From the First James Bond 007 Film

Dr. No, the first James Bond film, which starred Sean Connery as Agent 007, was…

1 week ago
  • Gallery

The 13 Best SNL Sketches in the Show’s Nearly 50 Years

Here are the 13 best SNL sketches in the nearly 50 years of Saturday Night…

1 week ago