Jeff Meyers

  • Directing

Shifting Sands: Director Brad Anderson on Making Beirut, and Managing a Career of Genre and Budget-Hopping

Despite a 22-year track record, director Brad Anderson has had what some might consider a stealth career. Outside of indie…

6 years ago
  • Directing

Sweet Country, Sour History, Great Moviemaking: Director Warwick Thornton on Sweet Country

“Australia was built on free labour. 180 years of free labour,” says director Warwick Thornton. He is talking, of course,…

6 years ago
  • Directing

“I Want This Weirdness In My Life”: Aubrey Plaza, Craig Robinson, and More On An Evening With Beverly Luff Linn

“I remember my agent told me Blue Velvet was panned by critics when it first came out and people hated…

6 years ago
  • Movie News

The Intimate Epic: Directors Alex and Andrew Smith on the Quiet Intensity of Father-Son Drama Walking Out

Montana-raised twin brothers Alex and Andrew Smith have emerged as the Big Sky Country's most ambitious indie filmmakers by writing…

7 years ago
  • Summer 2017

Making a Living by Mixing Media: How to Make the Leap From Directing Features to Directing Television

Imagine a world where you earn a steady, livable paycheck doing what you love—directing—and little else. That picture, sadly, doesn’t…

7 years ago
  • Directing

In Total Control of His Out of Control: With Colossal, Nacho Vigalondo Breaks Into Major League Moviemaking

Nacho Vigalondo is constantly under self-review—both as an artist and, if movies are a window into a director's psyche, as…

7 years ago
  • Directing

At Home Behind the Camera: Actor-Turned-Director Macon Blair Talks Making I Don’t Feel At Home In This World Anymore

Macon Blair is no stranger to Sundance. The actor is the childhood friend of, and a long-time collaborator with, writer-director…

7 years ago
  • Interviews

MovieMaker Minute: Walking Out’s Alex and Andrew Smith on How Directors Should Keep Calm On Set

Our MovieMaker Minute series of videos are brief little nuggets of inspiration and advice from some of our favorite filmmakers.…

7 years ago
  • Interviews

Defining Complete Unknown: Joshua Marston on Writing Shape-Shifting Characters, Directing a Contained Set

Joshua Marston's latest film, Complete Unknown, is an exploration of what it means to be a filmmaker, a film actor…

8 years ago
  • Summer 2016

The Lay of the VR Landscape: How Does a Moviemaker Approach Virtual Reality – Without Holding it Back?

In case you didn’t notice, virtual reality (VR) content has graduated from sideshow curiosity to the center ring. Sundance 2016’s…

8 years ago
  • Crossing the Line

“Making Sense of Something That is Beyond Us:” Anton Yelchin’s Spring 2016 Interview

The MovieMaker staff was shocked and saddened to hear about the untimely passing of actor Anton Yelchin on Sunday, June…

8 years ago
  • Interviews

Shooting the Green Room: Full Interview with DP Sean Porter

We've covered Green Room's director and cast in previous articles this week. Today we round out our exploration of Jeremy…

8 years ago
  • Interviews

Green Room Outtakes: Interviews with Anton Yelchin, Alia Shawkat and Imogen Poots

In Jeremy Saulnier's Green Room, a punk band dubbed The Ain't Rights (played by actors Anton Yelchin, Alia Shawkat, Joe…

8 years ago
  • Directing
  • Inside MM - Directing
  • Spring 2016

Back Against the Wall: Jeremy Saulnier’s Green Room Lands like a Punch to the Gut

Is there a more overused word in film journalism than "visceral?" The adjective is applied and misapplied with such frequency…

8 years ago
  • Directing
  • Fall 2015
  • Interviews

The Two-Hour Take: Sebastian Schipper on his See-it-to-Believe-it Victoria

“This film rocked my world.” So said Berlinale 2015 jury president Darren Aronofsky as he awarded cinematographer Sturla Brandth Grøvlen…

9 years ago
  • Acting
  • Directing
  • Interviews

Fighting the Deafening Chorus of “No”: Michael Shannon and Ramin Bahrani on Real-Estate Thriller 99 Homes

Ramin Bahrani's third feature film, 2008's Chop Shop, was declared by Roger Ebert as one of the 10 best films…

9 years ago
  • Directing
  • Interviews

Love in the Time of Apocalypse: Craig Zobel on Z for Zachariah and the Benefits of First ADing

Craig Zobel began his career as an assistant director, production manager and co-producer on such films as David Gordon Green's George…

9 years ago
  • Directing
  • Interviews

The Unconscious Signature: An Interview with Hungry Hearts Director Saverio Costanzo

In Saverio Costanzo's Hungry Hearts, in a tiny basement bathroom of a Manhattan Chinese restaurant, Mina (Alba Rohrwacher) is trapped…

9 years ago
  • Acting
  • Interviews

On Directing Actors: An Interview with Tim Blake Nelson

For nearly 20 years, Tim Blake Nelson has shoe-horned in his filmmaking alongside a robust and, as he describes it,…

9 years ago
  • Acting

Flash Forward: Maika Monroe Doesn’t Spook Easily

In 2011, Maika Monroe was ready to hang up on her dreams of becoming an actor. Though she had been…

9 years ago
  • Directing

It Follows: An Interview with David Robert Mitchell on his Ingeniously Creepy Horror Film

Sure, a lot of beginning moviemakers cut their teeth on horror. It's become a calling card for directors hoping to…

9 years ago
  • Acting
  • Directing
  • Interviews

Flash Forward: Desiree Akhavan is Not Lena Dunham

Desiree Akhavan hates it when she's compared to Lena Dunham. This is no dis on the creator of HBO's Girls—indeed,…

9 years ago
  • Distribution
  • Festivals

The Pros of Cons: Screening Shorts at Gaming and Comic Book Conventions

Here’s the more-or-less standardized path for moviemakers: You raise funds and rally your friends to make a short film. You…

10 years ago
  • Directing
  • Interviews

The Wide View: Pawel Pawlikowski on Ida

Amidst the celebrity star power and buzz of this past January's Sundance Film Festival it was encouraging to discover that…

10 years ago