Sundance 2018

  • Directing

We the Animals Director Jeremiah Zagar Discovered His First Narrative Feature in a Bookstore and Shot it on 16mm

Walking through SoHo’s McNally Jackson bookstore back in 2012, director Jeremiah Zagar came across a novel that would dictate the…

6 years ago
  • Editing

How They Did It: Editing is “Spelunking Into the Soul,” Say Madeline’s Madeline‘s Josephine Decker and Harrison Atkins

By the time indie darling Josephine Decker's Madeline’s Madeline emerged as a top pick of the litter at Sundance 2018’s…

6 years ago
  • Directing

Battle Wounds: Chloé Zhao on Fictionalizing Brady Jandreau’s Story for The Rider  

Gravely injured by the very act that elates him, a cowboy in South Dakota is adrift in the vastness of…

6 years ago
  • Moviemaking

Sundance Film Festival: Seven Breakthrough Moviemakers at Park City in 2018

Much has been written about the smaller nature of this year's Sundance 2018 Film Festival. While some applauded this return-to-roots…

6 years ago
  • Directing

Stay Sad: Babis Makridis on Writing Pity With Oscar-Nominated Efthymis Filippou, Why There’s No “Greek Wave”

Drastic measures taken to attain a dangerous objective are a defining element in both of Babis Makridis’ feature-length auteur productions.…

6 years ago
  • Directing

The 2018 MovieMaker Sundance Survey: We Take the Pulse of Nine Narrative Features Playing in Park City

The 34th Sundance Film Festival received 3,901 feature-length submissions, and selected 110—the line-up that largely sets the tone for the…

6 years ago