Steven Spielberg

  • Screenwriting

Flipping the Script: How to Navigate the Ups and Downs of the Spec Script Market

It seems that every couple of years, the spec script is declared “dead.” Indeed, in January, Chris Erskine, humor columnist…

6 years ago
  • Cinematography

The Post’s Production: Longtime Spielberg-DP Janusz Kaminski Expresses Himself Through Light

While growing up in Communist Bloc Poland, Janusz Kaminski was permitted by the government to watch gritty American movies of…

6 years ago
  • Directing

Santa Barbara International Film Festival 2018: Academy Award-Nominated Directors Get Candid About Their Films

With three titans of cinema and two of the most acclaimed and promising debutants in years in attendance, it was…

6 years ago
  • How They Did It

How They Did It: The Producer of Destination Unknown Spent Over a Decade Collecting Interviews With Holocaust Survivors

Despite being clad in all-weather gear, I remained chilled to the bone on an early morning visit to Auschwitz-Birkenau back…

7 years ago
  • Film School Advice

The Evolution of Film School in America: Everything to Know, From Dropouts to Disciples, Fairbanks to Francis Ford

Moviemaking has been taught almost as long as it’s been around. The 1890s saw the birth of the medium, and…

7 years ago
  • Cinematography

Shedding Light: Watch This Enlightening Breakdown of DP Janusz Kaminski’s Signature Lighting Techniques (Video)

For every production, there are existing sets, and then there are additional set layers whose creation depends upon harnessing those sets'…

7 years ago
  • First Draft

First Draft: A Screenwriting Prescription For Action Description

In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. A script’s first audience is…

7 years ago
  • Other

How Stop-Motion Can Survive: The Past, Present and Future of a Suffering Art (Video)

From The Boxtrolls, to Anomalisa, to Kubo and the Two Strings, stop-motion animation has consecutively held its place within the category of…

7 years ago
  • First Draft

First Draft: Want Hollywood’s Attention? Write a Showcase Short

In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. It’s how Spielberg, Coppola, Lucas…

7 years ago
  • Moviemaking

Children in Peril: Why A Monster Calls Director J. A. Bayona is All About Intensity

J. A. Bayona is best known for children-in-jeopardy-themed films: the Guillermo del Toro-produced horror movie The Orphanage (2007), and The…

7 years ago
  • MM Guide 2017

The Perfect Match (Cut): Why An Extra Set Of Eyes (and Scissors) Could Be The Key To Editing Your Indie

A no-budget indie often demands that the director be his or her own editor—getting two for the price of one.…

7 years ago
  • First Draft

First Draft: Learn Techniques of Story Progression From Indiana Jones and the Last Crusade

In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Comparing two drafts of a…

8 years ago
  • Interviews

“Every Movie I Make, I Commit My Entire World:” Derek Cianfrance Talks The Light Between Oceans

It’s just plain fun to watch Michael Fassbender and Alicia Vikander, whose real-life romance is the stuff of celebrity gossip…

8 years ago
  • Screenwriting

First Draft: Three Ways Screenwriters Can Master the Art of Remixing

In partnership with the blog ScreenCraft, we’re publishing “First Draft,” a series on everything to do with screenwriting. Filmmaker Kirby…

8 years ago
  • Screenwriting

First Draft: Should Screenwriters Write With MPAA Ratings in Mind?

In partnership with the blog ScreenCraft, we’re publishing “First Draft,” a series on everything to do with screenwriting. Yes, story…

8 years ago
  • How They Did It

How They Did It: A Shot-For-Shot Remake of the Airplane Scene from Raiders of the Lost Ark

As children growing up in the '80s in Mississippi, my best friend Chris Strompolos and I spent every summer from…

8 years ago
  • Film School Advice

Film School Alumni Advice: Now You See Me 2 Director Jon M. Chu

Every year, MovieMaker asks a range of successful indie filmmakers to reflect on their time in and after film school…

8 years ago
  • First Draft
  • Screenwriting

First Draft: Three Ways Screenwriters Can Avoid the Paralysis of Analysis

In partnership with the blog ScreenCraft, we’re publishing “First Draft,” a fortnightly series on everything to do with screenwriting. New…

9 years ago
  • Directing

Let the PA Direct (Almost): Why Collaborating with Your Crew is Your Greatest Strength

Collaborating with your crew is your greatest strength. As a confident movie-maker, don’t hesitate to ask your film crew for…

9 years ago
  • Directing
  • Interviews

“Perhaps I’m a Twisted Person:” Damián Szifrón on Wild Tales

The Oscar-nominated Argentine film Wild Tales is an anthology of six bizarre stories written and directed by Damián Szifrón—a mash…

9 years ago
  • MM Guide 2013
  • Other

Cheap Effects: Ways to Pull Off Impressive FX in a Pinch

When it comes to a movie of any budget, good storytelling is always key. Sometimes, though, part of that storytelling…

11 years ago
  • Things Learned

Things I’ve Learned: Neal McDonough’s Golden Rules of Acting

This week's Things I've Learned are from actor Neal McDonough, who has come a long way since his debut film…

11 years ago
  • Movie News

Desired Effect: Visual Effects Society’s 50 Most Influential Visual Effects Films

Besides being good for starting arguments—and even the occasional dust-up—“best of” film lists are invaluable excuses for revisiting, rethinking and…

16 years ago
  • Things Learned

Things I’ve Learned as a Moviemaker: Carol Littleton

With an Emmy, an Academy Award nomination, credits on nearly a dozen hit films, and tenure as the president of…

17 years ago