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SCAD
SCAD Lacoste Film Festival Brings Southern Hospitality to the French Countryside
By
Margeaux Sippell
SCAD Students Break Animation Barriers With ‘The Pope’s Dog’
By
Tim Molloy
Mia Goth Says That Creepy Smile Scene in
Pearl
Wasn’t in the Script
By
Margeaux Sippell
Fire of Love
Director Captured Katia and Maurice Krafft’s Love Story Through Volcanic Eruptions
By
Margeaux Sippell
Superman
Spoiler; Secret
Star Wars
; Two Phenomenal Festivals
By
Tim Molloy
Ron Howard Sees Similarities Between Viggo Mortensen in
Thirteen Lives
and Robert De Niro in
Backdraft
By
Margeaux Sippell
‘The X Can Mean Anything’: How XR Stages Are Disrupting Post-Production
By
Margeaux Sippell
SCAD Forms New Schools in Animation, Film and Acting, Visual Communication and Creative Technology
By
Margeaux Sippell
Jeremy Irons Receives SCAD Etoile for Lifetime Achievement in Cinema Award
By
Margeaux Sippell
“Surviving Clotilda” Tells the True Story of America’s Last Slave Ship
By
Margeaux Sippell
How Virginia Woolf’s
Orlando
Inspired Andrew Ondrejcak’s “The Actress”
By
Margeaux Sippell
Here Are All the Competition Award Winners From SCAD Savannah Film Festival 2021
By
Margeaux Sippell
C’mon C’mon
Writer-Director Mike Mills Tears Up Over Joaquin Phoenix: ‘I Love Him’
By
Margeaux Sippell
Kristen Stewart Is Casting; How
The Falconer
Lost Its Falcon; RIP George Butler
By
Margeaux Sippell
Seanne Winslow’s
The Falconer
Lost Its Falcon Two Days Before Production Began
By
Margeaux Sippell
SCAD Alums Offer Advice for Women Forging Careers in Post-Production
By
Margeaux Sippell
Boss Baby: Family Business
Visual Effects Artists Give Advice for Aspiring Animators at SCAD AnimationFest
By
Margeaux Sippell
Savannah College of Art and Design to Expand School’s Film Studios
By
Margeaux Sippell
Best Film Schools in the U.S. & Canada 2021
By
Greg Gilman
Jess Farran’s Short Film ‘The Awakening’ Fuses Fashion With Childhood Memories
By
Margeaux Sippell
Zamunda Meets Wakanda: Coming 2 America and Black Panther Costume Designer Ruth Carter on World Fashion
By
Margeaux Sippell
How Grand Budapest Hotel Graphic Designer Annie Atkins Became a Master of Cinematic Forgery
By
Margeaux Sippell