As firmly placed in the Age of Digital as moviemaking—especially low-budget indie moviemaking—undoubtedly is, it’s good to take a step…
When director Yen Tan and I first started talking about his new feature, 1985, we knew immediately that we wanted to shoot on Super 16mm…
Depicting the ancestral culture of the Wayuu—a Native American group indigenous to northern Colombia—and shedding light on their complex relationship with death and dreams, directors Cristina Gallego and Ciro…
Beautiful Convergence When it opened in 1930, Singapore’s Capitol Theatre was a glittering picture palace, the crown jewel of Southeast…
To describe the annual National Association of Broadcasters (NAB) event in Las Vegas as “huge” understates its sheer enormity. The…
The question “how can I afford this gear?” has led many a moviemaker to countless hours of research and rummaging.…
Haris Zambarloukos began collaborating with acclaimed director Kenneth Branagh in 2007 on the Michael Caine vehicle Sleuth. The duo continued to…
The shooting schedule for Doug Liman’s sniper-centered thriller The Wall was very short—14 days—and the location and conditions were not…
This is the first part of our “Playing for Keeps” series on film and digital preservation. Read the second part,…
What works and what doesn’t on a virtual reality set? The technology has landed at a price point accessible to…