Moviegoers might be surprised to learn that despite its expensive VFX de-aging process, Martin Scorsese's latest crime epic, The Irishman,…
When director Yen Tan and I first started talking about his new feature, 1985, we knew immediately that we wanted to shoot on Super 16mm…
As of 2016, the National Film Registry of the Library of Congress, which inducts 25 new titles each year “showcasing…
In the interim between a Golden Age bogged down with melodramas, stereotypical treatments of masculine and pastoral glorification, and the…
This is the first part of our “Playing for Keeps” series on film and digital preservation. Read the second part,…
What’s the most important moviemaking step you’re completely forgetting? Maybe it’s saving your film. If you’re a filmmaker reading this,…