dont-miss

  • Interviews

George Romero: Things I’ve Learned as a Moviemaker (From the MovieMaker Archives)

This filmmaking advice from George Romero was originally published on May 26, 2010. He died on July 16, 2017. Romero's…

3 years ago
  • Inside MM - Acting

Mads Mikkelsen: Things I’ve Learned as a Moviemaker

From Death Stranding to Star Wars to Marvel, from prestige TV (Hannibal) to high-profile Oscar contenders (At Eternity’s Gate), Mads Mikkelsen can be…

4 years ago
  • First Draft

10 Screenplay Structures To Flesh Out Your Formless Story

Since we're all spending more time indoors lately, its prime time to write that screenplay you've been putting off. So…

4 years ago
  • Spring 2018

Ari Aster on Building the Hereditary Haunted Houses From Scratch

Ari Aster, director of the acclaimed Midsommar and Hereditary, talks in this essay about one of the hardest parts of…

4 years ago
  • Summer 2019

Indie Law: Our Entertainment Law Expert Pulls Your Legal Questions From The MM Mailbag

For this edition of Indie Law, we asked readers to send us their burning legal questions to be answered by…

5 years ago
  • Inside MM - Directing

Cold Piece of Work: Richard Linklater Braves Greenland Hurricanes for Where’d You Go, Bernadette

Richard Linklater's Where’d You Go, Bernadette opens with the answer to its titular question. In an impressively executed overhead shot,…

5 years ago
  • Interviews

Light of My Life: Writer-Director-Star Casey Affleck’s Character-Driven Vision of a World Without Women

Academy Award-winning actor Casey Affleck takes his time between directing projects: Affleck's intimate post-apocalyptic drama Light of my Life comes nearly 10…

5 years ago
  • Directing

Zhuhai Caper: The Long Gone Wild Team Almost Landed in a Chinese Gulag While Filming Undercover

You may remember Ric O'Barry from the Oscar-winning documentary, The Cove, in which he and a team of daring filmmakers…

5 years ago
  • Best Of

Hollywood Ending: Quentin Tarantino on Making Movies, Finding Love, and Once Upon a Time… In Hollywood

The first time Quentin Tarantino and I connect, he offers me an apology. "I'm not trying to be flaky," he…

5 years ago
  • Summer 2019

Things I’ve Learned as a Moviemaker: Richard Dreyfuss

American Graffiti, Jaws, Close Encounters of the Third Kind, Stand By Me, Mr. Holland’s Opus... even while reading like a…

5 years ago
  • Spring 2019

Breaking and Entering, Part Two: A Map To Finding Feature Funding

If you didn't read part one of this article, stop now and go back to the Winter 2019 issue of…

5 years ago
  • Spring 2019

A Talk on the Wilde Side: Olivia Wilde’s Booksmart, Her New Home Behind the Camera, and Her Plans to Save the World

A young mother whose eight-year-old son was abducted a year earlier awakens in the middle of the night. She remembers her…

5 years ago
  • Movie News

Caution Moviemakers: Directing Movies with Sensitive Subject Matter

An interesting trend has taken hold in movies over the past 25 years: Films have gotten more politically correct. There…

5 years ago
  • Annual Lists

Austin Film Festival’s 25 Screenwriters to Watch in 2019, Presented by MovieMaker

Whether you're grinding it out in a large or small market, the first stage of moviemaking—screenwriting—is unenviably lonesome, full of endless…

5 years ago
  • Directing

High Life Director Claire Denis Discusses Black Holes, Bringing an Astrophysicist On Set, and the Death Penalty

On the surface, many entries in Claire Denis' filmography appear relatively easy to synopsize (her latest High Life follows a…

5 years ago
  • Inside MM - How To

Journalism Plus: How Hail Satan?, The Brink, and Leaving Neverland Blend Truth-Seeking With Cinematic Storytelling

"Journalism Plus" is how Academy Award-winning moviemaker Laura Poitras (Citizenfour) characterizes making documentaries. If you’re a documentarian, you may not…

5 years ago
  • Inside MM - Directing

Success in Succession: Matteo Garrone Shot Dogman Entirely in Sequence to Put Viewers in His Character’s Shoes

I wrote the script for my new film, Dogman, 12 years ago, and during those years I changed it many…

5 years ago
  • Spring 2019

What’s In Your Kit? Flea Market Finds and Stolen Headwear in Wild Nights with Emily DP Anna Stypko’s Offbeat Inventory

I shot Wild Nights with Emily (writer-director Madeleine Olnek’s comedic biopic about the writings and romantic life of Emily Dickinson,…

5 years ago
  • Inside MM - Screenwriting

Bret Easton Ellis: Things I’ve Learned as a Moviemaker

In 1985, Bret Easton Ellis’ debut novel, Less than Zero, was published, introducing the 21-year-old author as a cataloguer of…

5 years ago
  • MM Guide 2019

Coloring Outside the Lines: DP Benoît Debie Shakes it Up with Gaspar Noé, Harmony Korine, and Jacques Audiard

As a cinematographer the first thing you need to do is understand exactly what your director wants from the script.…

5 years ago
  • Winter 2019

Shooting on Film in the Digital Age: What You Need to Know If You’re Still Taking Stock in Film Stock

When director Yen Tan and I first started talking about his new feature, 1985, we knew immediately that we wanted to shoot on Super 16mm…

5 years ago
  • Cinema Law

Indie Law: How to Secure and Hold the Rights to Your Project

In the documentary on legendary producer Robert Evans, The Kid Stays in the Picture, Evans explains early and often that the key to success…

5 years ago
  • Winter 2019

Eye Piece: Spherical Lenses and Calculated Color Choices Allowed the Visuals of Birds of Passage to Take Flight

Depicting the ancestral culture of the Wayuu—a Native American group indigenous to northern Colombia—and shedding light on their complex relationship with death and dreams, directors Cristina Gallego and Ciro…

5 years ago
  • Winter 2019

Direct From Video: How Directing Music Videos Can Make You a Better Feature Moviemaker

When I was playing drums in the Swedish black metal band Bathory in the early 1980s, it took me a little while to realize…

5 years ago