The small-budget indie movie Our Father, the Devil was completed in only 74 days, from the first day of production…
Netflix falls hard, and what that means; L.A. film production is back; New Mexico fines Rust in the death of…
The shooting schedule for Doug Liman’s sniper-centered thriller The Wall was very short—14 days—and the location and conditions were not…
For our series “What’s in Your Kit?,” we ask a range of working cinematographers to share the gear they can’t…
This post was sponsored by Blackmagic Design. The lives of two convicts, Nick and Guy, are turned upside down when…
MovieMaker’s weekly series “Foreign Contenders” features interviews with the heavyweight helmers behind their respective countries’ entries for the Academy Award for…
Are there tools that would make my moviemaking more efficient or streamlined? Are there methods that will improve my end…
Post-production house and distributor Cinelicious Pics restored the lost animated masterpiece Belladonna of Sadness, and the team—Craig Rogers, Caitlin Díaz,…
“Why would I need a camera test? I’ve shot with this camera so many times before!” This is something I…
There have never been so many good options for non-linear editing (NLE) software. Over the years, one-time industry standard Avid…
For any filmmaker, switching genres between movies is a tough task. But Sarah Adina Smith decided to switch between genres…
If you happened to be walking around the floor this year at NAB, you probably noticed that 4K was everywhere.…
Finishing your RED movie using Final Cut Pro X, Redcine-X, and DaVinci Resolve In Parts 1 and 2, I showed…