christopher nolan

  • Directing

The Art of Fear: How Christopher Nolan Uses Perspective to Express Fear in Dunkirk

Garnering Christopher Nolan his very first nomination for the Academy Award for Best Director, Dunkirk represents the apex of his…

6 years ago
  • Movie News

Logan Lucky: How Interactions Between Genres Led to an Oscar Nomination for James Mangold’s Superhero Film

In this video essay, Evan Puschak of Nerdwriter seeks to examine the many different ways by which genre conventions can…

6 years ago
  • Directing

Santa Barbara International Film Festival 2018: Academy Award-Nominated Directors Get Candid About Their Films

With three titans of cinema and two of the most acclaimed and promising debutants in years in attendance, it was…

6 years ago
  • Acting

“Nudges and Hints”: Timothée Chalamet on the Pure Celebration of Love in Call Me By Your Name 

Italian director Luca Guadagnino’s latest Call Me By Your Name examines the mystery of love as it enraptures 17-year-old Elio…

6 years ago
  • First Draft

First Draft: Remember These Three Key Differences Between Short and Feature Scripts

In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. A short script can’t just…

7 years ago
  • Acting

Scene Stealer: Barry Keoghan on Learning from Yorgos Lanthimos in The Killing of a Sacred Deer

A quaint demeanor conceals his raging and unwavering yearning for retribution. His twisted take on the “an eye for an…

7 years ago
  • First Draft

First Draft: Manipulate Your Audiences’ Psychological States With These Three Screenwriting Tricks

In partnership with Creative Screenwriting and ScreenCraft, “First Draft” is a series on everything to do with screenwriting. Suspense is everywhere in film.…

7 years ago
  • Screenwriting

Muddled Mythology: Hollywood’s Gluttonous Appetite For Franchises Undermines Fantastical Films’ Potential to Inspire

In the run-up to the release of this summer’s superhero saga Wonder Woman, articles hyping the film noted that it…

7 years ago
  • Other

Staying Alive: The Director of Liza, Liza, Skies Are Grey Shares How He’s Sustained A 63-Year Moviemaking Career

My first job out of UCLA Film School in 1954, at age 22, was directing the 2nd unit of Night of…

7 years ago
  • Other

Score! Five Things Directors Should Learn About Working With Composers (From Hans Zimmer, Howard Shore and More)

Three years ago, I packed up my things at my desk in a Sacramento television news station and walked out…

7 years ago
  • Moviemaking

Selling With Soul: Why Make A Spec Commercial? It Could Be The Career Calling Card You’re Looking For

Just yesterday, for Mother’s Day, I released a personal project that I had been working on for a few months.…

7 years ago
  • Festivals

Festival Wrap: A Weekend Film School, Spaceballs Screening and Joe Pantoliano at Sunscreen Film Festival 2017

Through its unprecedented success on both the festival circuit and mainstream awards platforms, Barry Jenkins’ Moonlight has become the flagship…

7 years ago
  • Moviemaking

What is it Like to Direct a Feature at Age 16? Evan Hara on Making His Sci-Fi Film The Boundary

There are so many things you have to learn before jumping into something as big as a feature film, and…

7 years ago
  • Interviews

Foreign Contenders: Veteran Actor Rade Šerbedžija Turns Director for Macedonian Drama The Liberation of Skopje

MovieMaker’s series “Foreign Contenders” will feature interviews with the heavyweight helmers behind their respective countries’ entries for the Academy Award for Best…

7 years ago
  • Acting
  • Interviews

Why the Hell Didn’t Marion Cotillard Get an Oscar Nomination for Rust and Bone?

Hollywood often rewards transformational performances. Charlize Theron won her Oscar after gaining 30 pounds to play Aileen Wuornos in Monster…

11 years ago