January 2017 was a historic month for political reasons we don’t need to tell you about here.
In the world of film, we saw the 33rd edition of the Sundance Film Festival, and the 23rd Slamdance Film Festival, indie film’s first big celebrations of the year. And in MovieMaker news, we released our annual reader-favorite Best Places to Live and Work as a Moviemaker article, listing 20-plus potential new homes for you in 2017.
So in case you missed it: These 10 posts are our staff’s top picks of the past month’s indie film art and business coverage.
Whether you’re considering a move in 2017 or just a new place to shoot, we have you covered. For the 17th year running, after weeks of research, interviews with film commissions and surveys of moviemakers, we’ve assessed and ranked the best North American cities to practice your craft.
Are movies failing kids? “Kids nowadays go to movies and we tell them all the time that things are black or white. But they know that things are not black or white… and they cannot articulate it.”
Forget “history:” Federico Fellini’s Roma isn’t an objective account of a city’s past. It’s an access point into random memories and fantasies of its director’s mind.
“Film has a low-entrance barrier—anyone can sit down and watch an 80-minute motion picture, no matter what your political persuasion, nationality, economic disposition, age group or worldview.”
Don’t think that if you’re using a lesser-known version of a song, you won’t have to pay that much! And other music mistakes from a veteran supervisor.
M. Night Shyamalan’s recapturing his groove by getting back to the bare bones of the low-budget indie. Here he explains how making Split with limited resources was his best creative move in years.
Martin Scorsese’s characters often think they’ve got it all figured out, but the divine intervention of his camera exposes how fragile they actually are. Watch this haunting video essay to see Marty do God’s work.
We asked the Sundance Film Festival class of 2017 to tell their stories about the road to Park City. Then we picked out 10 of the festival’s freshest faces.
“A friend gets his dream movie, gets fired in a week and a half. I kept waiting to wake up. I thought getting fired would be the wakeup,” Quentin Tarantino said at Reservoir Dogs‘ 25th anniversary screening.
Finally, we were (Facebook) live for the very first time! MovieMaker co-hosted a panel discussion on photojournalism with Loving director Jeff Nichols and star Joel Edgerton, photographers Jay Clendenin and Matt Sayles, and Barbara Villet, widow of legendary LIFE Magazine photographer Grey Villet. Our very own Dominic Bonuccelli, regular cover photographer, hosted the illuminating talk.