Festivals

Festival Wrap: Washington, D.C. Proves to Be a Capitol of Hospitality at DC Shorts 2016

Published by
Peter Maestrey

As a producer, I need to be very careful about which festivals to enter and, when accepted, travel to.

A festival can provide a variety of enticements—exceptional screening locations, travel provisions, accommodations, culinary adventures—but what I believe you really want is a festival that keeps moviemakers in mind.

My experience at DC Shorts Film Festival and Screenplay Competition was exceptional for this very reason. Staff planned for the filmmakers’ needs, offering housing upon availability, promotional parties and quality food options near D.C.’s Landmark E Street Cinema, our home base for the festival. Knowing that a festival has these elements handled makes for an easier decision to attend.

It was impossible not to notice festival venues filled to capacity with receptive audiences, a reflection of the high caliber of films at the fest. It made sense to me that the shorts blocks were standing-room only, when programmers Joe Bilancio and Derek Horne gave such care and attention to the curation. Having watched close to 40 films at DC Shorts, I can confidently note that there was no lack of talented storytelling. Each block felt composed, sewn together to facilitate each individual film while also showcasing the ensemble piece and fulfilling the programming team’s thematic intentions, which was no easy feat. When films are so distinct from each other in time and pacing, careful attention must be given to harmonizing them for an audience, while still giving the block its own voice.

My team and I have a saying: “We already won just being here. Let them compete,” which we toss out whenever we attend a festival. We believe meeting other filmmakers, staff and volunteers is equally as valuable as winning awards.

Finally, it goes without saying that Washington, D.C. is a gorgeous city with marvelous historical attractions. DC Shorts lives and breathes in the very heart of the city. The fest is situated within a five-minute walk to the White House’s front lawn, a short bike to the Lincoln Memorial, the National Mall or Capitol Building. As a guest, you have your pick of amazing opportunities to hear about U.S. history or view some of the world’s finest art, all nestled in this powerful, poetic city. I felt like we hadn’t just exhibited our film, “Where We Begin,” at the festival in D.C. this year—we’d also fully experienced the nation’s capitol, with DC Shorts as an extraordinary host. MM

Peter Maestrey is a Los Angeles-based producer and DGA assistant director. Image courtesy of DC Shorts Film Festival and Screenplay Competition. For more information on the festival, visit its website here.

Peter Maestrey

Recent Posts

  • Movie News

Ghostlight, a New Vision of Romeo and Juliet, Opens 30th Annual SLO International Film Festival

San Luis Obispo International Film Festival executive director Skye McClennan opened the festivities Thursday by…

23 hours ago
  • Movie News

Apple TV+’s Manhunt Cinematographer Tells Us How to Recreate 1865 With Lighting

Cinematographer Robert Humphreys got creative with lighting to recreate the warm glow of fire and…

1 day ago
  • Movie News

Hugh Grant ‘Crushed’ His Tony the Tiger Audition for Unfrosted, Wine Glass in Hand

Hugh Grant went full-send on his homemade audition tape for his Tony the Tiger role…

1 day ago
  • Movie News

An LSD-Spiked 1950s Dinner Party and a Horror Movie Loop Highlight NFMLA’s InFocus: Female Cinema Program

A 1950s dinner party that gets spiked with LSD and characters who decide to flip…

2 days ago
  • Movie News

Zendaya on ‘Pressure’ of First Leading Film Role in Challengers: ‘I Am Always Nervous’

Zendaya is opening up about the challenges of starring in the new Luca Guadagnino movie…

2 days ago
  • Articles - Locations
  • Sponsored Editorial

Thompson-Nicola Offers an Incredibly Diverse Landscape for Filmmakers

It’s no surprise that Kamloops, British Columbia was named one of MovieMaker’s Best Places to…

2 days ago