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What’s in Your Kit: Cinematographer Blake McClure
For our series What’s in Your Kit, we ask a range of working cinematographers to share...
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What’s in Your Kit: Cinematographer Frankie DeMarco
For our series What’s in Your Kit, we ask a range of working cinematographers to share...
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What’s in Your Kit: Cinematographer Elle Schneider
For our series What’s in Your Kit, we ask a range of working cinematographers to share...
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What’s in Your Kit: Cinematographer Rodney Taylor, ASC
For our series What’s in Your Kit, we ask a range of working cinematographers to share...
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Funny, with Restraint: How DP Sam Levy Shot While We’re Young
“I was lucky to grow up with music and have a movie buff dad who’d tell...
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Intelligent Artifice: Alex Garland’s Smart, Stylish Ex Machina
Well before Alex Garland became the acclaimed writer of 28 Days Later, Sunshine and Never Let...
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What’s in Your Kit: Cinematographer David McFarland
For our new series What’s in Your Kit, we ask a range of working cinematographers to...
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Eye Piece: Juliano Ribeiro Salgado on the Poetic, Portable Cinematography of The Salt of the Earth
The documentary The Salt of the Earth is a film about my father, the photographer Sebastião...
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A Walk in the Woods: Veterans John Bailey and Carol Littleton on their Latest Partnership
A Walk in the Woods, the Ken Kwapis-directed feature that premieres today at the Sundance Film...
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Eye Piece: DP Rachel Morrison Goes Underground on Little Accidents
Little Accidents was a cinematographer’s dream to shoot. I have always been fascinated with Appalachia –...
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Eye Piece: Snowy Mountains, Ice Hearts in Nuri Bilge Ceylan’s Winter Sleep
Chekhovian philosophical debates filter through complex characters in Turkish auteur Nuri Bilge Ceylan’s magnificent Winter Sleep....
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Extreme Weather Advisory: Shooting Red Knot on a Research Vessel in Antarctica
Think your set is cold? Director Scott Cohen takes us through the once-in-a-lifetime experience of making...
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How They Did It: Shooting the Underwater Sequences in Norweigian Diving Thriller Pioneer
Jallo Faber, DP of Norwegian deep-sea diving thriller Pioneer, plumbs the depths of underwater cinematography in...
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Make Your Smartphone Smarter: What Goes in Your iPhone Filmmaking Kit?
“Shot on a smartphone” rarely means just a smartphone. So what goes in your kit? Director...
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What Can You Learn From Second Unit Photography?: Advice from A.J. Edwards of The Better Angels
The art of second unit photography is a subtle one, often overlooked by moviemakers preoccupied with...
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Lighting the Way: Shane Hurlbut’s Illumination Experience Tour
Shane Hurlbut, ASC has worked as director of photography on 19 feature films (such as The...
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MovieMaker News: Drone Filmmaking and the Technological Power Shift
There is something stirring in the skies, and it’s about to turn the independent filmmaking world...
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Myth of the Two Percent: Why Hollywood’s Shifting Views on Female Cinematographers are Good News for Indies
David Geffner interviewed seven of America’s “hottest female cinematographers” for issue 35 of MoveMaker in 1999....
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A Location with Character: Shooting Echo Park
California native and photographer Amanda Marsalis, whose work has graced publications such as Vogue, GQ, and...
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Capturing the Night: DP Christopher Blauvelt on Night Moves
Christopher Blauvelt is a rising star behind the camera, as cinematographer for 2013’s The Bling Ring...
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How They Did It: Capturing the Outback for The Rover
Hot off the press, from our Summer 2014 issue: How Natasha Braier, the cinematographer of the...
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The Golden Age of Action Design and the New Action DP
Lawrence Ribeiro is an action cinematographer who specializes in combining stunts, movement, and aesthetics. Having shot over...
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Tech Review: On Set with Blackmagic’s Cinema Camera
A working cinematographer puts Blackmagic’s Cinema Camera through its paces, finding it a superb deal for...
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Wisdom: Sol Negrin on Teaching Cinematography
Veteran cinematographer Sol Negrin, ASC understands the challenges of bringing cinematography from the set to the...
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