Things Learned
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Things I’ve Learned as a Moviemaker: Robert Downey Jr.
From Kings County State Correctional Facility to the private tutelage of the legendary Lee Strasberg, Robert Downey Jr. has blazed a many-striped... -
Things I’ve Learned as a Moviemaker: Thelma Schoonmaker
Academy Award-winning editor Thelma Schoonmaker’s long, presitgious career is one of Hollywood’s most enduring, rivaled possibly by her longtime collaborator, Martin Scorcese.... -
Things I’ve Learned as a Moviemaker: Patty Jenkins
Patty Jenkins is an American writer and film director, best known for her breakthrough, critically acclaimed debut film Monster. Monster follows Charlize Theron... -
Things I’ve Learned as a Moviemaker: Drew Barrymore
Drew Barrymore is the descendant of Hollywood royalty, but has spent her career carving out a unique and distinguished path of her... -
Things I’ve Learned as a Moviemaker: Don Burgess
Don Burgess is a prolific and award-winning cinematographer originally from Santa Monica, California. Burgess is known for his collaborations with director Robert... -
Things I’ve Learned as a Moviemaker: John Leguizamo
Working in comedies, musicals, and dramas, John Leguizamo has one of the most diverse filmographies in all of Hollywood. Leguizamo started out... -
Things I’ve Learned as a Moviemaker: Daniel Pyne
Daniel Pyne is a director, producer, novelist, and the prolific screenwriter behind Hollywood hits like Any Given Sunday (1999), The Sum of All... -
Things I’ve Learned As A Moviemaker: Ang Lee
An ever-evolving director with international reach, Ang Lee laughs at the label of “auteur.” But his impact on world cinema is undeniable.... -
Things I’ve Learned as a Moviemaker: Catherine Breillat
French auteur Catherine Breillat is best known for her racy and sometimes controversial films, such as Fat Girl (2001), and Romance (1999). This fall, she...
Summer 2018
Spring 2018
25th Anniversary
Guide 2018
Summer 2017
Year in MovieMaker
Inside the Issue: Acting
Sydney on the Map: To Land Breakout Roles, Sydney Sweeney Draws Her Own Maps of the Characters She Inhabits
A reverent initiate of a patriarchal regime; a disturbed young psychiatric hospital ward; a sexually questioning teen with a flair for the dramatic; a mysterious denizen...Inside the Issue: Directing
Think Like A Photographer: Generation Wealth’s Lauren Greenfield Shares How Still Techniques Make Better Movies
The biggest change I experienced when I went from making pictures to making films was the sense of an arc—of creating a story over time, and...Inside the Issue: How To
How They Did It: Casting Unknowns Was Key to Finding the Laughs and Lived-In Feel of Bo Burnham’s Eighth Grade
Before I directed my first film, Eighth Grade, I had heard that 90 percent of directing is casting. I’m sure there are other directors who weigh...2