Summer 2019 Issue
Let's start our list of the best film schools in the U.S. and Canada with an anecdote about the importance…
Let's talk about the coolest film festivals in the world. And if you think it's easy being cool, think again.…
What do you do when your career no longer fulfills you? Jim Hemphill, an award-winning screenwriter and director, faced that…
Though it’s taken for granted that television has a big seat at the table in the modern entertainment world, journalist…
Director Alejandro Landes and I envisioned Monos as a subjective war fable. We wanted to create an intense, intimate, and…
In Gustavo Mercado’s newest book, The Filmmaker’s Eye: The Language of the Lens, the award-winning independent moviemaker turned professor explores…
For this edition of Indie Law, we asked readers to send us their burning legal questions to be answered by…
Richard Linklater's Where’d You Go, Bernadette opens with the answer to its titular question. In an impressively executed overhead shot,…
The first time Quentin Tarantino and I connect, he offers me an apology. "I'm not trying to be flaky," he…
American Graffiti, Jaws, Close Encounters of the Third Kind, Stand By Me, Mr. Holland’s Opus... even while reading like a…