Spring 2016 Issue
The Idol, my Palestinian fictional feature, tells the real story of the Gazan wedding singer Mohammad Assaf, who faced a…
“Oh my god, ‘Eggs Purgatory,’” exclaimed writer-director Rebecca Miller, scanning a menu. “I have to order that, if only because…
Post-production house and distributor Cinelicious Pics restored the lost animated masterpiece Belladonna of Sadness, and the team—Craig Rogers, Caitlin Díaz,…
When I told StudioCanal that I was going to remake Jacques Deray’s 1969 La Piscine, I said, “I’m going to…
Indie moviemakers often take on other roles—entrepreneur, advocate, teacher. Add cultural ambassador and diplomat to that list for some of…
If just saying the word “drone” makes your eyes light up and your lips involuntarily whisper, “I want one,” you’re…
Five easy pitches: In this seasonal series, we showcase MovieMaker readers ready to get rolling this summer and fall. The…
We've covered Green Room's director and cast in previous articles this week. Today we round out our exploration of Jeremy…
In Jeremy Saulnier's Green Room, a punk band dubbed The Ain't Rights (played by actors Anton Yelchin, Alia Shawkat, Joe…
This spring the Hollywood Theatre, a nonprofit, Prohibition-era movie house in Portland, Oregon, will open an annex at Portland International…