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Watching We Need to Talk About Cosby, the new documentary from W. Kamau Bell, felt a little like spending hours on Twitter.
It’s a “Golden Age of Nude Men” onscreen; another Fight Club twist the Oscars need Spider-Man more than Spider-Man needs Oscars; a Slamdance breakthrough.
Peter Dinklage gets Disney to rethink its revival of of Snow White; Emily the Criminal loves L.A. for richer and for poorer; meet Vladimir Putin’s nemesis.
Lucy and Desi, by Amy Poehler, tells the fascinating story of how the love between Lucille Ball and Desi Arnaz fueled I Love Lucy and television itself.
The Batman is informed by Matt Reeves’ reverence for conspiracy films from his 1970s childhood — including Klute, Chinatown, and All the President’s Men.
Daniel Radcliffe will play Weird Al Yankovic in Weird: the Al Yankovic Story, a biopic written by Al Yankovic himself.
The 2021 Academy Nicholl Fellows have one thing in common: Their scripts are filled with emotion. We spoke with the latest fellows about how they did it.
The new Scream sparks a “requels” discussion; a doc plumbs the Chippendale’s murders; surprising news about the racist restaurateur in Licorice Pizza.
Don’t Look Up is just one of our current cultural touchstones that warns the end of the world is near. But believing that is no way to live.
The Golden Globes do some things right; R.I.P. Bob Saget; the year Sidney Poitier launched three kinds of movies. Plus: a late, weird Looper review.
The Sidney Poitier films To Sir With Love, In the Heat of the Night, and Guess Who’s Coming to Dinner, each released in 1967, each launched a sub-genre.
A Sopranos star joins White Lotus; a dirty song pops up on family-friendly Cobra Kai; a film festival plans mass hypnosis; A Banquet trailer.
The Sundance Film Festival has cancelled all in-person events, making it the latest event to alter its plans in response to the surging Omnicron variant.
HBO Max succeeds big; Michael Keaton explains his decision not to be in two terrible Batman movies; Jonah Hill spent a day insulting his castmates.
The Licorice Pizza credits say Herman Munster plays himself, but he was actually played by Paul Thomas Anderson regular John C. Reilly.
Yule, the Timothee Chalamet character in Don’t Look Up, feels like an olive branch to Christians who could break the deadlock on global warming.
Joan Didion and John Gregory Dunne had such an awful time working on Up Close and Personal that Dunne titled his eventual memoir of the experience Monster.
R.I.P. Joan Didion; a last-minute Sopranos gift idea; Michael Keaton will play Batman in Batgirl; Sundance will be very careful this year.
The Scary of Sixty-First, the debut film from Dasha Nekrasova, has a riskiness lacking from most recent American films, starting with its subject manner.
The Matrix Resurrections is here; Armie Hammer will be in the next Armie Hammer movie; Maggie Gyllenhaal vows to avoid dopey sex scenes.
Robert Rodriguez won’t make Boba Fett look like a buffoon; Spider-Man overcomes Omicron fears overseas; a Quentin Tarantino Lord of the Rings threat.
Dennis Hopper on a helpful dictionary definition; rooting hard for Spider-Man; people get mad at Licorice Pizza, of all things
Bree Elrod is has worked with Alan Rickman and Martin Scorsese. But in Red Rocket, some of her stellar scene partners are first-time actors