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Since we’re all inside working on screenplays (right?), we’re re-sharing this 2015 MovieMaker posts on one of the most common

Q: I wrote a novel about a fictional reality TV dating show that bears similarities to The Bachelor and other

Q: A producer recently approached me with a finished pilot script and asked me to write the rest of the

Q: I’m friends with a semi-famous musician and she’s helping me writing a biopic about her life. I was told

Q: Is there some way to ensure that I receive a “written by” or “screenplay by” credit when the client

I used to be terrified of negotiating—my instinct was to immediately acquiesce and avoid the hassle. So when I meet

Q: As a producer, what are my rights when filming a documentary subject as he confronts a criminal about a

Q: Who owns the copyright to a script when it’s based off someone else’s originally created characters? Should the screenwriter

Q: I wrote a screenplay and got a producer interested. He said he could generate interest in getting it funded.

Also known as “Contracts or it didn’t happen,” this practice might help you get out of jail—or at least sleep

Q: I’m a foreign national and I would like to send my film to festivals inside and outside the United

Q: I’m writing a pilot for a TV workplace comedy and my characters work for a low-rent competitor of a

Q: I’m an amateur filmmaker who recently made a film that uses the Gary Jules cover of Tears for Fears’

Q: What rights does the subject of a documentary film have if the film falls apart? As with all things