Even before the titular band made music, Yard Dogs Road Show was an experimental performance art film in the making.

Maudie director Aisling Walsh discusses recreating folk painter Maud Lewis’ house to render an intimate, small-scale portrait of Lewis’ life and work.

Extortion director Phil Volken shares what he learned about managing a big crew when going from a small first film to a large-scale international follow-up.

With minimal appreciation and acclaim, the future of stop-motion animation remains ambiguous, relying on the auteurs own unique vision to save the art.