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The Filmmaker Insights panel decoded the inner workings of both parties, director and editor, and how they come together for a unified purpose.
Whose Streets? is a raw look at a group of people coming together to protest injustice after the authorities failed to indict the officer who killed Brown.
Before Danielle Macdonald delivered those delicious verses in Patti Cake$, they had been gestating in the mind of a young man.
Kogonada, the video essayist and director behind Sundance hit Columbus, populates his quiet setting with intimate conflicts and poignant conversations.
This Corner of the World director Sunao Katabuchi talks crowdfunding, digging for historical references, adapting manga source material and more.
Get meta with our talk with Ingrid Goes West stars Aubrey Plaza and Elizabeth Olsen and director Matt Spicer, which we turned into an Insta-style thread.
Alex Heboyan and Benoit Philippon’s Mune: The Guardian of the Moon would have likely faced rejection if they had attempted to produce it in the U.S.
Pleasure and Pain in Guanajuato: Amat Escalante’s The Untamed is an Unusual Sort of Creature Feature
The Untamed (La Region Salvaje) is a beautifully unsettling story about repressed desires reflected on an extraterrestrial being in a small Mexican town.
Absent from the limelight for over 20 years, Alejandro Jodorowsky chose to step away from cinema rather than bargain with his artistic integrity.
Sébastien Laudenbach’s first feature The Girl Without Hands, based upon the Brothers Grimm fairy tale of the same title, is a singular vision come to life.
Out of the hundreds of bachelors and masters programs in the U.S. and Canada, we’ve chosen 40 schools that best represent higher education in moviemaking.
The Ornithologist is fascinating, sensually profane and delightful, adjectives that, depending on who you ask, could easily apply to its creator as well.
This past June weekend in LA hosted the 9th Hola Mexico Film Festival, the 11th Los Angeles Greek Film Festival and the 20th Dances With Films.
At the 43rd Seattle International Film Festival, the largest festival in the U.S., trying to be memorable can be an overwhelming conundrum.
Trey Edward Shults was moved by a real-life, interpersonal tragic event to write his sophomore feature It Comes at Night.
The Woman Who Left, which earned Lav Diaz the Golden Lion at last year’s Venice Film Festival, is, at nearly four hours long, one of his shortest projects.
Director Thomas Vinterberg discusses making The Commune and shares insights on shooting roundtable sequences, fleshing out character backstory and more.
In their appropriately titled feature doc debut, Burden, Marrinan and Dewey trace Chris Burden from his rebellious origins up until his death at age 69.
Sarah Adina Smith gets existential on the origins of her metaphysical drama, Buster’s Mal Heart, and its demonized hero’s quest for answers in life.
Sunscreen Film Festival has become one of the bastions in the fight to not only bring back production into Florida, but to make St. Petersburg stand out.
Director Stéphane Brizé discusses his approach to depicting the passage of time and blending contemporary and classical filmmaking styles in A Woman’s Life.
A hefty slate of international films is the signature of the Minneapolis St. Paul International Film Festival’s comprehensive program.
A rare comet shatters the infinite loop of time, linking two unsatisfied teenage lives in Your Name, the highest-grossing anime film of all time.
No Risk of Cliché: The Unorthodox Methods of Director Albert Serra Pay Off in The Death of Louis XIV
The contrast between absolute power and total impotence is the thematic core of Albert Serra’s latest portrait, The Death of Louis XIV.
