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The Green Knight writer-director David Lowery shares with MovieMaker a few films that influenced his retelling of the epic poem.
Tom McCarthy on how his new thriller Stillwater, examines America’s moral authority through the Matt Damon character of roughneck Bill Baker.
Many direct short films before features, but FIDMarseille film Topology of Sirens, proves there are storytelling elements only possible in the feature form.
Mare of Easttown creator Brad Ingelsby and executive producer Mark Roybal on creating a character-focused murder mystery that was thrilling for audiences.
The Killing of Two Lovers writer-director Robert Machoian thought a lot during the planning of the film about “how to […]
Seven years ago, when working on Unfriended, producer Timur Bekmambetov realized the potential for stories that unfold entirely on a […]
Cinematographer James Laxton remembers his first collaborations with director Barry Jenkins at Florida State University’s film program almost two decades […]
What does the future hold for theatrical distribution, the studio system and streaming giants? A panel of industry insiders at […]
Without Remorse director Stefano Sollima stays close to Michael B. Jordan’s John Kelly throughout the film’s many action sequences.
How Sound of Metal director Darius Marder and sound supervisor Nicolas Becker built an immersive soundscape for the Riz Ahmed drama
Writer-director Aaron Sorkin returns to his coutroom drama roots with The Trial of the Chicago 7, about the 1968 DNC Riots.
Writer-director Aaron Sorkin returns to his coutroom drama roots with The Trial of the Chicago 7, about the 1968 DNC Riots.
After a decade as an influential free platform, NoBudge moves to a new paid subscription service that will pay filmmakers 60% of the platform’s profits.
Constellation Incubator co-founder Liz Manashil on how the program rethinks a “broken system” by consulting professionals in other industries.
A revenge thriller, Violation differs from “stranger in an alley” narratives, since here, the trauma is perpetrated by someone close to the lead Miriam.
The Vigil writer-director Keith Thomas on how practical lighting and effects with vintage lenses accented his authentically Jewish horror film.
The Vigil writer-director Keith Thomas on how practical lighting and effects with vintage lenses accented his authentically Jewish horror film.
The World to Come co-stars Casey Affleck and Katherine Waterston discuss what makes for good writing and why embedded truths are a must.
The World to Come co-stars Casey Affleck and Katherine Waterston discuss what makes for good writing and why embedded truths are a must.
18th and Grand: The Olympic Auditorium Story explores Los Angeles’ shifting 20th century identity — all through the lens of the Grand Olympic Auditorium.
Joe and Anthony Russo return to Cleveland for Cherry, the story of a veteran (Tom Holland) driven to robbing banks to pay for his opioid addiction.
Wolfwalkers is almost entirely hand-drawn, and the artisans behind the feature discuss how they approached all three line styles present in the feature.
In Slamdance doc A Tiny Ripple of Hope, Jahmal Cole works tirelessly to positively impact Chicago youth. But this public role has financial implications.
An injury on the first day of production required Vanessa Kirby to adopt a more still, quietly-powerful performance as Tallie in The World to Come.
