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Succession star Brian Cox is set for his directorial debut; Licorice Pizza reviews are beginning to roll in; Lady Gaga’s accent in House of Gucci analyzed.
Lady Gaga stays in character (and accent) throughout House of Gucci; Licorice Pizza is coming this Thanksgiving in a large way; MoviePass eyes a comeback.
When Rebecca Hall moved from acting to writing/directing with Passing, she brought her observations from years on set with her — which includes this trick.
Spencer director Pablo Larraín on motherhood; Wicked find its cast; Barry Sonnenfeld builds a pillow fort. All in today’s Movie News Rundown.
The Souvenir Part II writer-director Joanna Hogg and star Richard Ayoade looked at interviews with brash directors from the ’80s for character inspiration.
The origin story of the pub central to Shaun of the Dead; A roundup of our Last Night in Soho coverage; Two things to consider avoiding when screenwriting.
The Souvenir writer-director Joanna Hogg has a unique screenwriting process that involves “all the things you’re told not to do with screenplay writing.”
One streaming service looks to dominate true crime programming; A look ahead at a possible 2022 film lineup; A Princess Diana insider speaks out.
A tragic incident on a film set involving a prop gun and star Alec Baldwin; A look inside the production design of French Dispatch; and Michael Bay returns.
When designing The French Dispatch, Wes Anderson and production designer Adam Stockhausen dug into photo archives and emailed each other screen grabs.
A first look at Aaron Sorkin’s Being the Ricardos; lots of film festival news; and David Fincher makes video essays. All in today’s Movie News Rundown.
IATSE avoids striking (for now); Robert Pattinson is having trouble being both Bruce and Batman in The Batman trailer; and Succession returns.
Beyond Fest is currently in the midst of its ninth edition, and has responded to the pandemic with a host of free screenings at the Los Feliz 3.
Valdimir Jóhannsson and Sjón developed Lamb for a decade, never compromising their vision of a quiet horror film where the supernatural is taken for granted
Titane director Julia Ducournau and DP Ruben Impens shot the film’s impressive car show “oner” on the first day of production.
Academy Museum film programmer Bernardo Rondeau grew up attending screenings all over L.A. and now looks to give back with the new museum’s programs.
Last night Mammoth Lakes Film Festival handed out $40,000 in cash prizes. Larry Flynt for President and Isaac won two awards each.
Sci-Fi Gem Ultrasound Was in Pre-Production for One Month and Much of the Film Was Shot in Five Days
Ultrasound, a stylish and confident sci-fi thriller, was in pre-production for only one month and a majority of the film was shot in five days.
Eyes of Tammy Faye director Michael Showalter believes America’s fascination with televangelists has to do with our Christian roots mixed with capitalism.
Blue Bayou has Justin Chon leaving L.A. for New Orleans, a decision partly influenced by the resiliency of the city as well as its Asian diversity.
To Card Counter director Paul Schrader, the benefits of shooting digitally are vast. For one, the shooting schedule moves faster, affording him final cut.
The Voyeurs stars Sydney Sweeney and looks to revive the erotic thriller, with a subgenre director Michael Mohan describes as “steamy moral dilemmas.”
John and the Hole director Pascual Sisto says John’s early actions in the film are not as clear cut as they might appear.