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Jackass Forever is here and we go in depth on an iconic stunt reimagined; The Offer looks at a rocky Godfather production. Notes on 2nd-Unit photography.
The Cathedral is an abstracted view of the moments that stick with us through adolescence, and how moments of conflict can linger in our minds year later.
The teaser for Guillermo del Toro’s Pinocchio; A secret Sundance documentary has been revealed and the logline is wild; Some Sundance recommendations.
Rock star and actor Meat Loaf has died; Season 2 details — including a new location — for The White Lotus are in; Ambitious plans for a film studio in space
Filmed in 2020 with a crew of two, Happer’s Comet director Tyler Taormina returned home to make his intimate drama which stars members of his community.
Matt Reeves takes inspiration from these ’70s thrillers for The Batman; Steven Spielberg salutes Buster Keaton; We salute Jonah Hill being late.
A two-decades in the making doc on Kanye West gets a teaser ahead of Sundance; Ethan Hawke and Scorsese are makng a Paul Newman doc.
Hollywood heroes Peter Bogdanovich and Sidney Poitier have died; Mike Judge teases a return to Beavis and Butt-Head; Rooney Mara is Audrey Hepburn.
Don’t Look Up sparks online debate and we revisit when another filmmaker took on critics in the ’70s. Jockey star Clifton Collins Jr. is front and center.
Jockey co-writers Greg Kwedar and Clint Bentley have worked together for 10 years. Here they explore what goes into a healthy co-writing partnership.
We look back at overlooked movies from 2021; Spider-Man’s dominance is not just limited to the big screen; Some early 2022 film events are cancelled.
Spider-Man: No Way Home opens to unprecedented B.O. numbers; First reactions to The Matrix Resurrections; Variety ranks Frasier episodes and we react.
Michael Bilandic shot his single-location art world satire, Project Space 13, in 4 days, because he collaborates closely with a tight-knit group of friends.
Golden Globes nominations are in; A look at Steven Spielberg’s shift into hyper-topical filmmaking and why that approach failed with West Side Story.
France writer-director Bruno Dumont writes in a literary manner, but straight without comedy. The comedy comes later on set and then in the edit.
Wolf writer-director Nathalie Biancheri used her research on species dysphoria as a jumping off point to create a fictional narrative about identity.
Tom Holland is confirmed as dancing king Fred Astaire; Jeremy Strong had a long road to Succession star Kendall Roy; Kenny G pays no mind to any haters.
Young Sinner, a new thriller from Paul Verhoeven and Robocop writer Edward Neumeier will be an “innovative version” of movies like Basic Instinct.
Red Scare podcast co-host Dasha Nekrasova on her feature directorial debut The Scary of Sixty-First, which looks at Jeffrey Epstein conspiracy theories.
What House of Gucci keeps and changes from its source material; Mike Leigh weighs in on sex scenes; Paul McCartney creates magic in Get Back.
While adapting his play The Humans, Stephen Karam felt the restrictions of screenwriting and created an image and clip-based document purely for himself.
Paul Thomas Anderson gets candid about working in television; Cooper Raiff follows up Shithouse with Cha Cha Real Smooth; Other Sundance possibilities.
These 20 film festivals celebrate shorts by placing a special emphasis on the form. Here are our list of the Best Short Film Festivals in the World.