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Michael Ragen’s equipment arsenal for The Art of Self-Defense shows that a DP’s best defense is a great on-set offense. When
I shot Wild Nights with Emily (writer-director Madeleine Olnek’s comedic biopic about the writings and romantic life of Emily Dickinson,
For our series “What’s in Your Kit?,” we ask a range of working cinematographers to share the gear they can’t
For our series “What’s in Your Kit?,” we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working moviemakers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
For our series What’s in Your Kit, we ask a range of working cinematographers to share the gear they can’t
Charlie Sarroff is the cinematographer of Relic, directed by Natalie Erika James. In this piece, he describes the tools he
French cinematographer Yorick Le Saux, whose gorgeous work includes Personal Shopper, The Only Lovers Left Alive, Little Women and the
Christopher Ross, the cinematographer of the exquisitely shot first two episodes of FX’s hit series Shogun, says his biggest challenge