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The 25 Most Influential Directors of All Time, From Scorsese to Kubrick

The 25 Most Influential Directors of All Time, From Scorsese to Kubrick

25 Most Influential Directors

Articles - Directing

7. Sergei Eisenstein (1898 – 1948)

With only seven completed films on his resume, Sergei Eisenstein’s influence may stem more from his theories—both written and demonstrated—on the possibilities of film than from his body of work itself. Released 10 years after The Birth of a Nation, Eisenstein’s landmark The Battleship Potemkin wasdirectly inspired by Griffith’s advancement of the medium.

Potemkin’s 10-minute Odessa steps sequence is one of the most powerful testaments to the importance of editing and montage in film, and to the emotion such devices are capable of rendering. Brian De Palma “borrowed” the scene directly for 1987’s The Untouchables, when Elliot Ness and his men confront a group of Al Capone’s associates at a train station.

Intended as a showcase for montage editing, Potemkin was just that. But when the rest of the world wanted to know more, Eisenstein was forced to reveal his secrets. Though his discoveries are often overlooked as a basic part of moviemaking, Eisenstein’s theories continue to affect the changing world of motion pictures.

Says critic J. Hoberman “As the best known of the Soviet montage theorists, Eisenstein has come to stand for the powerful (and basic) notion that cinematic meaning is a factor of editing—specifically the dynamic juxtaposition that is only possible with movies. In his writings, Eisenstein argued that it was possible to use montage scientifically to direct an audience to think and/or feel in a particular way. He not only anticipates propagandists of all political persuasions, but also Alfred Hitchcock (and his multitude of followers), as well as the makers of TV commercials and theatrical trailers.”

Though each of his films employed the same techniques as Potemkin, it only took that one film for Eisenstein to claim his place in cinema history. Alongside Griffith and Welles, Eisenstein is one of the major contributors to moviemaking technique, using innovation to heighten the audience’s visual and emotional relationship to film.


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10 Comments

10 Comments

  1. Avatar

    R. Taylor

    January 6, 2018 at 4:51 pm

    Where the heck is David Lean?!

  2. Avatar

    steve

    February 25, 2018 at 7:45 pm

    david lean? where is andrei tarkovsky?

  3. Avatar

    Deepak

    March 8, 2018 at 7:53 pm

    Where is Satyajit ray, the greatest indian filmmaker?

  4. Avatar

    Violet Ray

    May 5, 2018 at 3:31 pm

    Where are the women?

  5. Avatar

    Roger Howerton

    May 9, 2019 at 12:43 pm

    Yes, David Lean has should be here, and how ’bout William Wyler?

  6. Avatar

    Essaywriter

    July 25, 2019 at 1:30 am

    For me, it’s definitely Lars vor Trier with his impecable style and metaphors. His Melancholia drama was just astonishing with its sci-fi influences and Kirsten Dunst starring. I wrote more than 50 movie reviews on all of his films starting with The Orchid Gardener. I wonder how may times Willem Dafoe wanted to leave the projects.

  7. Avatar

    Ben Hewson

    March 13, 2020 at 2:29 am

    The post you published here is very informative. Thanks for writing such a nice post for us.

  8. Avatar

    Gaston Bacquet

    June 2, 2020 at 10:34 am

    I would expand the list to 30 names: Elia Kazan, who brought a deeper naturalistic approach to filmmaking and acting; Walt Disney, without whom we would have no animated films; David Lean, Frank Capra and William Wyler.

  9. Avatar

    Sam Kalegana

    September 6, 2020 at 3:27 pm

    You missing one of the greatest.. Andrei Tarkovsky

  10. Avatar

    Bruce B Blank

    September 9, 2020 at 10:24 am

    While probably not a director per se’, Stan Laurel can arguably be listed among the most influential film creators in Hollywood history. The ‘Laurel and Hardy’ film series were his babies where he often wrote, stared and – yes – directed his directors to do his bidding, perhaps second only to Chaplin in comedic inventiveness, if not delivery. Hal Roach was smart enough to get out of the way and let Laurel control almost every aspect of his projects. Along the way he brought innovations in sound editing, special effects and gag pacing.

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