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July 9, 2008

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Article: The Universal Language of Film Has a Mexican Accent

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Article: Killer Script

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Article: Rejection Turns Revolutionary

Article: Shooting for an Alternate Reality

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Article: The Cat’s Meow: A Classy Story of Classic Hollywood

Article: Film Education’s Maine Attraction

Article: From Dance Fever to Digital Video

Article: Julia Stiles Never Lets Them See Her Sweat

Article: Focusing the Eye Through Composition

Article: Of Cinema and Cargo Pants

Article: Henry Jaglom’s Moment of Truth

Article: From Mrs. Brown to Charlotte Gray

Article: Truly Moving Images

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Article: 13 Conversations About Writing

Article: The New School’s Truth, Whole Truth and Nothing But the Truth

Article: A Few Minutes with William (Bill) Lustig

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Article: Hill and Hanley: Twenty Years of Continuity

Article: From Mexico to Hollywood and Back

Article: A Success Story for Slackers

Article: The Tao of Steve

Article: The Triumph of Clare Peploe

Article: Bright Lights, Big Sin City

Article: The Thrill of Living on the Edge

Article: Test Driving the Future

Article: Writers University: A Name Writers Can Trust

Article: In the Hot Seat

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Article: No Politics Allowed at New England’s Largest Film Festival

Article: The UCLA Professionals Program

Article: The Power of Positive Friction

Article: The Road To Perfection

Article: Wake-up Call to Hollywood

Article: Movies with Meaning

Article: Film Education on a Global Scale

Article: The Power of the Fluid Camera

Article: Torn Pages From a Life

Article: Bringing the World of Film to NYC

Article: Invitation to a Head Fracture

Article: Getting the Acting Right is What Counts

Article: The Kid Keeps Shooting the Pictures

Article: Sexual Healing

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Article: Buried Alive and Other Tales from the Trenches

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Article: Tim Blake Nelson Enters The Grey Zone

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Article: Is Moondance One of the World’s Most Important Festivals?

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Article: The Closest Thing to Alchemy

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Article: Greetings from the Scottish New Wave

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Article: One Night with O’Toole, Hollywood’s Straight Man

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It’s Official—Pre-production Begins

“I never ask people for permission to make a film. Instead, I present them with the fact that I’m making a film. If they’re wise, they’ll get in on it early.”
—Francis Ford Coppola


Last week our unit production manager for Rufus Rex officially started work and I paid UPS an astounding amount of money to deliver a letter to the Republic of Georgia officially inviting our lead actress to the United States. We’re also officially in pre-production on the grassroots (my preferred term, since I dislike “microbudget”—no art should be defined by its budget) movie Rufus Rex, which my 15-year-old son, Nick, and I wrote together last winter.

Posted 07.8.08 | Grassroots Moviemaker | No comments yet...

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