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July 24, 2008

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Tag: directing



Article: Meryl Streep and ABBA visit Greece with Mamma Mia!

Article: For Bergman Fans, Film Is the Great Adventure

Article: Recalled: Kimberly Peirce Shows the Depths of War in STOP-LOSS

Article: Warren Beatty Honored with AFI Life Achievement Award

Article: Shakespeare on Film: Antony and Cleopatra

Article: Jonathan Levine's Total Wackness

Article: Peter Segal Gets Smart

On the Move: Jada Pinkett Smith’s Human Contract

Article: Ted Braun Discusses Darfur Now

On the Move: Jada Pinkett Smith’s Human Contract

On the Move: Jada Pinkett Smith’s Human Contract

On the Move: Jada Pinkett Smith’s Human Contract

Article: Garth Jennings Channels His Inner Rambow

On the Move: Jada Pinkett Smith’s Human Contract

On the Move: Jada Pinkett Smith’s Human Contract

On the Move: Jada Pinkett Smith’s Human Contract

On the Move: Jada Pinkett Smith’s Human Contract

Article: Avid Wins Big at the Oscars

Article: Enhance Your Education with SmartFlix

Article: Sarah Polley's Uncompromising Vision

Article: Todd Haynes Takes on Bob Dylan

Article: Other People’s Money

Article: Balancing the Roles of Writer and Director

Article: Random Thoughts From the Set of Jeff Garlin's I Want Someone to Eat Cheese With

Article: Things I’ve Learned as a Moviemaker

Article: Fighting Irish

Article: Luck of the Irish

Article: Things I’ve Learned As A Moviemaker

Article: Not-so-Silent Smith Speaks Truth

Article: Things I’ve Learned As A Moviemaker

Article: Things I’ve Learned As A Moviemaker

Article: The Circus Comes to Town

Article: Julia Stiles Never Lets Them See Her Sweat

Article: Henry Jaglom’s Moment of Truth

Article: A Few Minutes with William (Bill) Lustig

Article: Tales From Margaritaville

Article: From Mexico to Hollywood and Back

Article: A Success Story for Slackers

Article: Things I’ve Learned as a MovieMaker

Article: The Triumph of Clare Peploe

Article: In the Hot Seat

Article: Things I’ve Learned as a MovieMaker

Article: Woman on the Verge

Article: Things I’ve Learned as a MovieMaker

Article: Sacrifice Yes, Compromise, No

Article: Invitation to a Head Fracture

Article: More Than Master of the Feel-Bad Film

Article: Tim Blake Nelson Enters The Grey Zone

Article: Things I’ve Learned as a Moviemaker

Article: An Obsession for Style and Content

Article: Greetings from the Scottish New Wave

Article: Crazy Like a Fox

Article: Things I’ve Learned as a Moviemaker

Article: Balls in Blizzards

Article: What I’ve Learned as a Moviemaker

Article: Lives That Deserve to Be Told on Film

Article: Things I’ve Learned as a Moviemaker

Article: A Moviemaker Under the Influence

Article: Just Do It

Article: Things I’ve Learned as a Moviemaker

Article: Lessons from Confidence Man

Article: Things I’ve Learned as a Moviemaker

Article: Billy Ray’s Shattered Glass

Article: Things I’ve Learned as a Moviemaker

Article: Low-Budget Horror Film a Career-maker for first-time moviemaker

Article: Digital By Design

Article: Things I’ve Learned as a Moviemaker

Article: MovieMaker Sneak Peek

Article: King of the Ants

Article: Things I’ve Learned as a Moviemaker

Article: Building From a Foundation of Passion

Article: Things I’ve Learned as a Moviemaker

Article: Things I’ve Learned as a Moviemaker

Article: Killer Movie, Killer Moviemaking

Article: Things I’ve Learned as a Moviemaker

Article: Appetite for Self-Destruction

Article: Things I’ve Learned as a Moviemaker

Article: Things I’ve Learned as a Moviemaker

Article: Crossing the Line

Article: Adapting to Directing

Article: Things I’ve Learned as a Moviemaker

Article: Things I’ve Learned as a Moviemaker

Article: It’s All About Pleasure

Article: Even Sweeter the Second Time Around

Article: A Moviemaker’s Journey Back to School

Article: A Summer Blockbuster on a Blair Witch Budget

Article: Forward Leap

Article: A Family Affair on the Maine Coast

Article: Things I’ve Learned as a Moviemaker

Article: Renaissance Man

Article: Weighty Subject Benefits from Humor

Article: Things I’ve Learned as a Moviemaker

Article: Everything Comes Together

Article: Adapting For Digital

Article: Taking on John Irving

Article: Things I’ve Learned as a Moviemaker

Article: Things I’ve Learned as a Moviemaker

Article: Extraordinary People

Article: Original Voice, Weirdly Poetic

Article: The Smartest Guy in the Room

Article: Things I’ve Learned As A Moviemaker

Article: The Power of “Warts and All” Moviemaking

Article: Batman and Kramer

Article: The Lingering Auteur

Article: Things I’ve Learned as a Moviemaker

Article: Things I’ve Learned as a Moviemaker

Article: In True Indie Fashion

Article: Second Chances

Article: Make Them Laugh-Then Make Them Think

Article: Things I’ve Learned as a Moviemaker

Article: Auteur Seeks Complex Character

Article: Things I’ve Learned as a Moviemaker

Article: For Love or Country

Article: Things I’ve Learned as a Moviemaker

Article: Chasing Emmy

Article: Things I’ve Learned as a Moviemaker

Article: Things I’ve Learned as a Moviemaker

Article: Master of the Universe

Article: The Color of Forbidden Fruit

Article: Getting Personal

Article: Things I’ve Learned As A Moviemaker

Article: The Director who Defies Audience Expectations

Article: Talent and Toughness: Are Great Directors Born or Made?

Article: Things I’ve Learned As A Moviemaker

Article: Prolific Aussie Helmer Beresford takes on Bride of The Wind

Article: Things I’ve Learned As A Moviemaker

Article: Things I’ve Learned As A Moviemaker

Article: Mythology and Moviemaking

Article: Things I’ve Learned As A Moviemaker

Article: James Gray Goes the Distance

Article: Ed Harris’ Artist’s Sensibility

Article: Michael Berenbaum: Things I’ve Learned As A Moviemaker

Article: Ang Lee is Changing the Rules

Article: David Lynch’s Empire

Article: Tom DiCillo, DI Guy

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Doorpost Awards $300,000 to “Undiscovered” Moviemakers

The Doorpost Film Project, a “contest aimed at discovering and developing moviemakers capable of producing films that inspire and influence rather than simply entertain,” just finished round one and is now left with 15 finalists who are described by Nathan Elliott, the Project's director, as “a globally, ethnically and racially diverse group of filmmakers that have one important thing in common: They're enormously talented."

Posted 07.23.08 | News/Commentary | No comments yet...

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