MovieMaker The Art and Business of Making Movies » Login | Register  

November 22, 2008

ABOUT | CONTACT | NEWSLETTER | Search

screenwriting

Email
Print

Cycle of the Screenwriter

Every Story—and Screenwriter—Needs a Beginning, Middle and End

Those of us who write are plagued and blessed at once by an overexposure to cycles. No, I don’t believe in reincarnation or the divinity of Jesus or some of the hippie notions about how we’re all one with Gaia, etc. I do, however, believe that all human experiences begin then progress and then end.

I’m a writer. I’m soaking in that. And because I write, I find myself constantly beginning stories, places, ideas, people and moments… then experiencing them progress… and then watching them end. And when they end, they end as finally as anything can. I do not know what Keyser Söze did after he got into the car with his lawyer at the end of The Usual Suspects, and I’m pretty sure I never will.

Just like that—poof—he’s gone.

All this beginning and ending stuff can start playing with your head. Like mathematicians who started noticing small recursive fractals as compositional blocks of larger recursive fractals, you begin to see the cycles in your own life on multiple levels. There’s breakfast, lunch and dinner. Then there are multiyear arcs, like movements of a symphony.

Maybe you don’t see this, but I do. Curiously, my cycles seem to take on four-year spans.

I won’t bore you with childhood, but high school was an interesting four years. College—four years. After college, I spent four years trying to make my way toward something I could do as a career—a search for permanency, perhaps—and I found it.

I spent the next four years establishing myself as a working screenwriter as well as a husband and the next four years establishing myself as a solo working screenwriter, as well as a father.

I’ve spent these last four years establishing myself as, for lack of a better phrase, a successful screenwriter.

Ding! Four years are up.

And now?

Last week, I had lunch with a friend. Another writer. I look up to him in a very pure way; there’s no creepy jealousy or competitiveness or resentment to infect my relationship with him. I’m not particularly prone to those things, but I’m not inhuman either. I’m lucky that circumstances are such that I can admire someone as cleanly as I admire this guy.

So we sat at lunch and this guy lectured me. He actually said, “I want to lecture you about something,” and then he did.

Best lecture ever.

In fact, it was such a good lecture, it sent me hurtling toward my therapist, but in a good way. What this guy said to me was something I really needed to hear, and I really needed to hear it from him. It was the best compliment I’ve ever received, and almost certainly the scariest, too. In fact, his lecture may very well be the thing that sets the table and defines my next four-year cycle.

What was it about? Trust me, this advice was custom, for me. But what I can tell you with certainty is that you’re in a cycle right now, whether you like it or not. And unless a friend does it for you, you need to take the initiative, take a step back and take an honest look. Do you understand the cycle you’re in? Is there a rhythm to it? Are you at the beginning? Lost in the desert of your own second act? Nearing the end (that’s the scary one)?

Most characters are blissfully unaware that they’re in the stories we write, so why should we torture ourselves by getting recursive with the narrative of our own lives? I only dabble with the recursion myself. I’m sure Pirandello would think of me as a self-oblivious dolt. Still, birthdays tend to do this to me. And today is my 36th. So I think I’ll give some of you a gift.

This gift is for the struggling. Particularly, it’s for the struggling young. This gift is for the people who have begun the “set out on my own” cycle. Maybe you’re in a new city. You’re trying to make it in a new business. You have no experience. You have no connections. That was me… beginning of Cycle 3.

I don’t archive much of my life, but there’s one piece of paper I’ve saved all these years. I finally scanned it and laminated it, because it’s so important to me. When I arrived in Los Angeles in July of 1992, all I knew is that before anything good could happen to me I needed to get a job.

I stood out on the corner of La Cienega and Pico, leafed through a pay phone Yellow Pages (ahhhh, the pre-cell, pre-Net days) and started cold-calling temp agencies.
I had a pen, which ran out of ink… and a pencil.

Today, I’m a rich guy with a hot wife, two great kids and a nice house—and I do what I love for a living. But 15 years ago, I was this piece of paper.

Note the boxed note in the top middle. The one where I set a meeting with Louise at The Friedman Agency for 2:30 on Wednesday, July 29, 1992. That’s the meeting that got me my first couple of temp jobs, one of which became a permanent job, which became a writing job, which got me a marketing job at Disney, which lead to my career as a screenwriter.

I’m particularly fond of the question mark floating above it. I have no idea why it’s there, but I love that it is.

This paper is not some trophy or something. It’s my reverse Ozymandias. Know what I mean? Look upon my Beginning, Ye Mighty, and smile!

I’m not saying you’re going to be rich and happy and famous. What I’m saying is treasure your beginnings. That’s where all the fun is. That’s what I’m doing right now. Because I’m beginning a new cycle. And I can’t wait to see where it goes.

Craig Mazin is a screenwriter who counts Rocket Man, Senseless and the Scary Movie franchise among his credits. He blogs at www.artfulwriter.com.


SHARE THIS STORY

Del.icio.us this itemDel.icio.us

Reddit this itemReddit

Yahoo this item Yahoo

TAGS

COMMENTS | POST A COMMENT

Comment by amySoffice on 9/24/08 at 7:26 pm

Good for you of always being curious about the unpredictable life. Can’t agree more when you say:"treasure your beginnings.” I just think no body will regret their own history/

Comment by California Bankruptcy on 10/19/08 at 5:51 am

This gift is for the struggling. Particularly, it’s for the struggling young. This gift is for the people who have begun the “set out on my own” cycle.  classic example of the mindset of various people of the world.

POST A COMMENT

OUR PRIVACY POLICY | We will not publish or sell or share your email address or other personal information. Read more.

Name:  
Email:  
URL:  

Type the word you see below:

Comment:

MovieMaker Magazine

Magazine cover: Guide to Making Movies 2007This story was published in the Guide to Making Movies 2007 MovieMaker Magazine. The headline was:

Cycle of the Screenwriter/Every Story - and Screenwriter - needs a beginning, middle and end

View this issue

Order this issue | Subscribe to MM

 

Blog/Forum/Poll navigation

Blog Forums Polls

Latest from the blog:

Cadillac Records Premiere to Benefit Phoenix House

Every now and then the glitz and glamour of the red carpet gets to be something more than just a flashy excuse for a new outfit or a ride in a limo, allowing the superficial side of moviemaking (pose for the camera!) to become something of substance, something more akin to the reason why a movie is made. With the New York and Los Angeles premieres of Cadillac Records, a period piece centered upon Leonard Chess (played by Adrien Brody) and the lives of the blues and soul artists who were part of his Chess Records label, the red carpet gets to do just that.

Posted 11.21.08 | News/Commentary | No comments yet...

Other recent posts:

Posts people are talking about:

Blog

SITE DELIVERY OPTIONS

ALSO IN THIS ISSUE

  1. Power Writer: Bringing a Blank Page to Life
    The Oscar-nominated screenwriter of Children of Men says that as a writer, digging down deep is the only way you're going to bring a blank page to ... read on
  2. Writing Backwards: Plot Construction Using Reverse Cause and Effect
    Every script has a beginning, middle and end - but sometimes it can be helpful to write them in reverse order. ... read on
  3. Coming Clean: Confessions of a Hollywood Hack
    Know thyself. A Hollywood screenwriter comes clean on the freedom he found when he got his mind and his talent in ... read on
  4. Great Adaptations: A Winning Script Doesn’t Have to be Totally Original
    With so many of today's successful movies based on existing material, it pays to know how to translate a literary work into a cinematic ... read on
  5. Script Criteria Checklist
    Whether you're looking for investors for your latest project or getting ready to finance it yourself, make sure your script has these six essential elements - which translate to audience ... read on
  6. Cycle of the Screenwriter
    Just like the stories they write, a screenwriter's life is one based on cycles. One of Hollywood's most in-demand scribes sounds off about his ... read on
  7. The Context of Innovative Film Finance
    You have a great script, an incredible director, cast and team and you're passionate about making this film. Sounds like a slam dunk, right? Wrong! You still need the money - and, in an ideal world, the distribution to ... read on
  8. Casting is Everything: Expert Advice on How to Cast for Success
    Warren Beatty may have said it best when he declared that "Casting is everything." And sometimes type-casting is the way to ... read on
  9. Balancing the Roles of Writer and Director
    Determining the roles of "writer" and "director" begins and ends with one simple question: What is the story I'm ... read on
  10. Other People’s Money
    You've learned how to block a scene, move a dolly, mix a soundtrack, cut a negative, color-correct a work print, watch Hitchcock and critique Spielberg - but you don't know how to make money. Here's ... read on
  11. Cinematic Storytelling
    From Citizen Kane to American Beauty, the history of cinema is filled with examples of "cinematic storytelling" - films that use the full complement of moviemaking tools to tell theis ... read on

RELATED ARTICLES FROM THE ARCHIVES

  1. 11/4/2008: Politics As Usual—At Least in Hollywood
  2. 10/27/2008: Tobe Hooper’s Cult Classics
  3. 10/23/2008: Make-Up Makes the Monster
  4. 10/22/2008: James Whale Creates Frankenstein’s Monster
  5. 10/7/2008: William Fraker Dances with the Devil