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Issue #30 [September 1998]
Features: Micro Budget Movement and the Digital Revolution
P. Broderick, J. Bachar, S. Noegel, G. Wing, and C. Zack
Peter Broderick is determined to empower indie moviemakers. His company's philosophy may represent the Next Wave in the micro-budget feature movement.
Features: Billy Bob Thorton: The Hillbilly Orson Welles
By David Geffner
From Arkansas to Armageddon, Billy Bob Thorton reflects on what a long, strange trip it's been.
Features: Getting the Most out of Film School
By MovieMaker Staff
You'll be graduating from film school before you know it. What happens then? Or are you thinking of taking the plunge and have a few programs to check out? What should you look for?
Features: Demystifying Deliverables
By Paul Tarantino
You're finished with your film and you think you've really accomplished something. You have. But don't gloat until you're sure your movie is completely deliverable. Here's a checklist.
The Three-Week Screenplay
By Dov S-S Simens
How to write your first draft in 21 days.
Latest from the blog:
It’s Official—Pre-production Begins
“I never ask people for permission to make a film. Instead, I present them with the fact that I’m making a film. If they’re wise, they’ll get in on it early.”
—Francis Ford Coppola
Last week our unit production manager for Rufus Rex officially started work and I paid UPS an astounding amount of money to deliver a letter to the Republic of Georgia officially inviting our lead actress to the United States. We’re also officially in pre-production on the grassroots (my preferred term, since I dislike “microbudget”—no art should be defined by its budget) movie Rufus Rex, which my 15-year-old son, Nick, and I wrote together last winter.
Posted 07.8.08 | Grassroots Moviemaker | No comments yet...
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