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Issue #09 [September 1994]

Features: Wild Hill
By Marianne Cotter
Like Peckinpah before him, Walter Hill has been accused of making movies that revel in violence. He answers that charge and talks about his new film, Wild Bill.

Features: Is Film School Worth It?
By Tom Allen
Didn't two or three really great movies get made before anyone ever heard of film school? Is formal education really the answer for aspiring moviemakers? Several successful motion picture directors give us their opinions.

Features: Lina Wertmüller, Lost and Found
By Jon Silberg
Although Ciao, Professore! is an upbeat departure from her previous work, that doesn't mean the brilliant Italian director is any easier to understand.

The Motion Picture Association of America: Natural Born Censors?
By Jeff Schwager
When Clerks got slapped with the dreaded NC- 17, Jeff decided to recap the MPAA's reasoning behind a ratings system he believes is seriously out of order.

“Heads Up” Video Monitoring Is Here
By Kennedy Grey
Virtual Vision's "heads up" video monitor may soon be a practical alternative in the field.

Stars in Your Eyes? Here’s Looking at You
By Colleen Patrick
Take it from Frank Capra - using your eyes effectively is one of the keys to becoming a film star.

Festival Beat
By Brian O'Hare
The Independent Feature Film Market in New York is where indies go to get noticed.

Notebook: MM Notebook
By Timothy Rhys
What a long, strange trip it's been - and we're not quite a year old yet.

Rutger Hauer
By Lyall Bush
Rutger Hauer gets old.

Alex Winter
By Keith Bearden
Alex Winter freaks out.

Jonathan Blank
By Kathleen McInnis
Jonathan Blank does Amsterdam.

How To Lose $1.2 Million And Shoot Your Feature Anyway
By Kathleen McInnis
Seattle moviemaker Tim Hines gives Crispin Glover the heave-ho, loses $1.2 million in financing and makes his feature anyway. All in one continuous take.