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July 9, 2008

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Issue #01 [December 1993]

Ross McElwee’s March
By Paula Hunt
Ross McElwee talks about his new project and how having a family has affected his career.

Features: John Cullum
By Mark Eleison
John Cullum looks beyond Northern Exposure and discusses collaborating with his wife, Emily Frankel, on her new play.

High and Low
By Jeff Schwager
The benefits and pitfalls of translating other art forms into movies.

The Friend or Dafoe?
By Tom Barr
Madonna and Willem Dafoe have deviant sex in Body of Evidence.

Making Movies
By Taso Lagos
The founder of Seattle's Screenwriter's Academy embarks on his first feature film.

No Absence of Malice
By Mike Walker
Reviews of Farewell My Concubine, Twenty Bucks, and Malice.

Video Is Not Slumming
By Kelly Hughes
You're good enough, you're smart enough, and you still shoot video. And that's... okay.

Notebook: From the Publisher
By Timothy Rhys
So how come we need another movie magazine, anyway?

Carl Darchuk’s Higher Education
By Timothy Rhys
Carl Darchuk of Renton looks back at the making of his first feature.

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It’s Official—Pre-production Begins

“I never ask people for permission to make a film. Instead, I present them with the fact that I’m making a film. If they’re wise, they’ll get in on it early.”
—Francis Ford Coppola


Last week our unit production manager for Rufus Rex officially started work and I paid UPS an astounding amount of money to deliver a letter to the Republic of Georgia officially inviting our lead actress to the United States. We’re also officially in pre-production on the grassroots (my preferred term, since I dislike “microbudget”—no art should be defined by its budget) movie Rufus Rex, which my 15-year-old son, Nick, and I wrote together last winter.

Posted 07.8.08 | Grassroots Moviemaker | No comments yet...

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