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December 4, 2008

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Page 35 of 41 pages « First  <  33 34 35 36 37 >  Last »

Will the Writers Rescue Hollywood?

With new money and new respect, will the writers rescue Hollywood?

Many in the industry wonder if Sony's new deal with screenwriters signals a new trend that will give screenwriters some long-overdue respect and financial reward, or if it is just one more indication of studio desperation in an era of declining motion picture quality. (No comments yet)


Cashing in on Historical Screenplays

New writing paradigms for the 21st Century

This year the five films that were nominated for best picture are all historical dramas. Here are some tips for screenwriting in this ever-popular genre. (1 comment)


Cyberscribes: The Power of Digital Screenwriting

The Power and Freedom of Digital Screenwriting

What new considerations are there for screenwriters who can now create stories with virtually no limits on their imaginations? (No comments yet)


Hail Preston Sturges

Celebrating the Genius of Writer-Director Preston Sturges

Over 100 years after his death and 50 years after one of the most amazing creative bursts in the history of the movies, audiences are discovering the genius of Preston Sturges again and for the first time. (1 comment)


Hollywood’s Homeless Screenplays

Buried Treasures: Hollywood's Homeless Screenplays

Why do some of the best screenplays in Hollywood never get made? (No comments yet)


Quintessential Cool: A Conversation with James Coburn

A conversation with James Coburn

Brand-new Academy Award-winner James Coburn talks about acting, women, cigars, sobriety,Yul Brynner, Sam Peckinpah, the internet, etc. Oh, and the new movie that's revived his career, Affliction. (No comments yet)


Spec Sale Strategies

New Ways to Hook That Script Deal

Marketing your script doesn't just mean sending out a few query letters anymore. Here are new ways to give yourself an edge as you look for gold in the lucrative but extremely competitive world of spec screenplays. (No comments yet)


MM Notebook

New writing paradigms for the 21st Century

(4 comments)


Letters

(No comments yet)


Paul Schrader

With Affliction, the enigmatic writer-director's cinema of loneliness finally connects with audiences

With Affliction, the enigmatic writer-director's cinema of loneliness finally connects with audiences. (1 comment)


Paradise Falls

Director discovers that doing well at festivals is no guarantee

Director discovers that doing well at festivals is no guarantee. (No comments yet)


1999 Sundance, Slamdance and Rotterdam Film Festivals

Sundance, Stamdance, Rotterdam: Trends point to doc resurgence, but 1999 may be year that escapes definition

Sundance, Stamdance, Rotterdam: Trends point to doc resurgence, but 1999 may be year that escapes definition. (No comments yet)


Myles Berkowitz, Walkter Salles

Doc-style comedy has been a success, but best perk was falling

Doc-style comedy has been a success, but best perk was falling. (No comments yet)


Rock the Boat

(4 comments)


Stanley Kubrick Crosses the Line

A personal look at what the master meant to one moviemaker

A personal look at what the master meant to one moviemaker. (No comments yet)


The Best Boxing Movies Of All Times

The Best Boxing Movies of All Time

It's an ugly and magnificent game. It's the embodiment of our desire to see the whole of human conflict stripped down to a single, conclusive battle. (10 comments)


Boxing’s Back

But will the new movies be contenders or pretenders? (2 comments)


Rebel Director John Boorman

For his latest, Boorman reunites with Deliverance star, Jon Voight, and produces The General, his best movie in years. (No comments yet)


Jackie Chan at the Crossroads

At 44, even as the world's #1 action superstar reaches new heights of popularity, he admits he can't keep up his pace forever. But does that mean he's (gulp) about to turn to romance? (2 comments)


How to Beat the Odds with Indie Distributors

Outspoken reps from four aggressive companies speak candidly about independent distribution. A must-read story for indie moviemakers. (No comments yet)


Walter Murch: Cutting from the Heart

The Academy Award-winner explains why timing and instinct are everything. (1 comment)


Strategies for Selling Your Film

Director-producer-author Eric Sherman tells us what he's learned over the years on the fine art of getting someone to buy your art. (1 comment)


Bryan Singer, Confidence Man

His first feature, Public Access, won the Sundance Grand Jury Prize. His second, The Usual Suspects, achieved extraordinary commercial success. His new movie, the risky, controversial Apt Pupil, should sin its unusually self-assured young director new fans and new respect for a vision and style all his own. (No comments yet)


Beauty Beneath the Brutality: Japanese Masters Mizoguchi and Ozu

Japanese Masters Mizoguchi and Ozu

Kurosawa's contemporaries nearly forgotten by American audiences. (No comments yet)


The Director’s Heart: Akira Kurosawa, 1910-1998

His films stand out as some of the most visually arresting of all time. (No comments yet)


Micro Budget Movement and the Digital Revolution

Peter Broderick is determined to empower indie moviemakers. His company's philosophy may represent the Next Wave in the micro-budget feature movement. (No comments yet)


Billy Bob Thorton: The Hillbilly Orson Welles

From Arkansas to Armageddon, Billy Bob Thorton reflects on what a long, strange trip it's been. (No comments yet)


Getting the Most out of Film School

You'll be graduating from film school before you know it. What happens then? Or are you thinking of taking the plunge and have a few programs to check out? What should you look for? (No comments yet)


The Three-Week Screenplay

Moviemaking Advice From America's #1 Film Instructor

How to write your first draft in 21 days. (No comments yet)


Demystifying Deliverables

You're finished with your film and you think you've really accomplished something. You have. But don't gloat until you're sure your movie is completely deliverable. Here's a checklist. (No comments yet)


Shooting Stars: Interviews with the World’s Greatest Living Cinematographers

Talking with Shooting Stars

From Storaro and Wexler to Hall and Nykvist, they're all h, they're all here. Geffner tracked down cinema's most revered light-painting legends and made them talk about art, film and some favorite moments. (No comments yet)


Best Cameras For The Independent Moviemaker

Light years beyond film theory, an eclectic sampling of working DP's share the nuts-and-bolts details on the cameras they prefer for independent moviemaking and why. (1 comment)


Titanic’s Cinematographer Russell Carpenter

The 15th of the world's greatest living cinematographers featured this issue, Oscar-winning DP Carpenter discusses James Cameron, arduous shoots, and the "little pictures" he'd like to tackle next. (No comments yet)


Myth-making With Natural Light

Nestor Almendros

The artistry of late, great cinematographer Nestor Almendros. (1 comment)


Self-Distribution Secrets

No distributor? You're not out of the game yet.

No distributor? You're not out of the game yet. (No comments yet)


Page 35 of 41 pages « First  <  33 34 35 36 37 >  Last »

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Blog Forums Polls

Latest from the blog:

Video Views Pick: Wanted

The editors of VIDEO VIEWS magazine pick Wanted, based on the Mark Millar graphic novel, as the best new DVD this week. Featuring eight bonus featurettes and a cast that includes James McAvoy, Angelina Jolie and Morgan Freeman, home video watchers can't go wrong.

Posted 12.3.08 | Video Views Pick | 1 comment

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