Editing

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Things I’ve Learned As A Moviemaker

by Anne Coates | Published Feb. 3, 2007

You have the courage of your convictions. When you're editing you have to make thousands of decisions every day and if you dither over them all the time, you'll never get anything done. (No comments yet)

Master of the Hidden Cut

A Conversation with Editor Anne Coates

by Phillip Williams | Published Feb. 3, 2007

During her more than 50 years in the craft, editor Anne Coates has been a collaborator and ally to many of the world's finest directors including Sidney Lumet, David Lynch, Milos Forman and Steven Soderbergh. Currently on the set of Adrian Lyne's Unfaithful, she talks with MM about her fairytale beginnings with The Red Shoes. (No comments yet)

Things I’ve Learned As A Moviemaker

by Chris Lebenzon | Published Feb. 3, 2007

I like to put myself in the position of the audience, because they don't know any of that stuff anyway. (No comments yet)

Q & A with Planet of the Apes Editor Chris Lebenzon

For the past two decades, Lebenzon has been averaging about one feature per year, working alongside such directors as Tim Burton, Michael Bay and Tony Scott.

by Phillip Williams | Published Feb. 3, 2007

For the past two decades, editor Chris Lebenzon has been averaging about one feature per year, working alongside such directors as Tim Burton, Michael Bay and Tony Scott with such films as Ed Wood, Crimson Tide and Pearl Harbor to his credit. This summer, Lebenzon's most recent work can be seen in Planet of the Apes. (No comments yet)

The Madness of a Method Editor

It's Still All About the Storytelling for Robert Ferretti, A.C.E.

by Timothy Rhys | Published Feb. 3, 2007

Though he's earned a name for himself working on big-budget action flicks like Rocky V, On Deadly Ground, Showdown in Little Tokyo and Die Hard 2, Robert Ferretti has proven his versatility by being the creative force in the editing room for such off-beat independent fare as Dwight Yoakam's South of Heaven, West of Hell and Timothy Rhys' Men in Scoring Position. (No comments yet)

A Directorial Career

Building a name-and career-as a film director is not as easy as 'point and shoot.'

by Eric Sherman | Published Sep. 24, 2002

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Choosing Your Cinematographer

Directors and DPs need to develop a common language

by Eric Sherman | Published Sep. 5, 1999

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Bitter is Better

Polanski rips off himself but the Coen brothers rip off everyone else.

by Mike Walker | Published Apr. 4, 1994

Hudsucker gets mooned, but Bitter does better. (No comments yet)

Heaven and Earth More Like Purgatory

For dramatic purposes, surviving isn't always enough.

by Mike Walker | Published Feb. 1, 1994

Unlike Pualine Kael, our indomintable reviewer agrees to sit through another Olive Stone extravaganza. (No comments yet)

Carlito’s Way Off

DePalma could take a few piano lessons from Champion.

by Mike Walker | Published Jan. 4, 1994

Reviews of The Piano and Carlito's Way. (No comments yet)

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Latest from the blog:

Jaman Launches “Movie Channel for the World”

Jaman.com announced the availability of instantly streamed, HD-quality movies—for free.

With nothing more than a simple click, cineastes can watch one of 100 ad-supported titles from the online distributor's collection of more than 3,000 films at no cost. Alternatively, those viewers who are less inclined to "pay" for the free films by watching the ads can pay just $1.99 to watch them commercial-dree. “By offering a free streaming media service along with our current rental and ownership download options, we are anticipating the future of digital cinema," says Jaman founder and CEO, Gaurav Dhillon. "With streaming, we provide our community with a quality viewing experience that is free and for our advertisers, we deliver a unique audience and premium and targeted placement opportunities.”

Posted 05.15.08 | News/Commentary | 1 comment