by Rustin Thompson | Published Sep. 1, 1995

Robert Rodriquez, the former desperado of El Mariachi fame, shows Hollywood how to make a movie. (No comments yet)

Hellooo, Dolly!

Most moviemakers believe the cost of owning a dolly to be prohibitive. They may reconsider when they hear about this light, compact version.

by Jack Watson | Published Aug. 31, 1995

Most moviemakers believe the cost of owning a dolly to be prohibitive. They may reconsider when they hear about this light, compact version. (No comments yet)

John Schlesinger Rides the High Road

Tim Rhys and Tom Allen | Published Aug. 31, 1995

Blood and guts is the easy way out, says the creator of Midnight Cowboy, and old master John Schlesinger is having none of it, thank you very much. (No comments yet)

Secrets of Hollywood’s Top Screenwriters

by Lyall Bush | Published Jul. 31, 1995

A discussion with Robert Towne, Buck Henry, John Milius, et. al. on the joys and sorrows of creating the blueprints for the movies we love. (No comments yet)

Henry Jaglom, The Independent’s Independent

by Timothy Rhys | Published Jul. 31, 1995

He's been making movies for 20 years and with his new film, Last Summer in the Hamptons, he may become a household name. (No comments yet)

Five Fabulous Film Fatales

Five Fabulous Film Fatales

by Rustin Thompson | Published May. 31, 1995

Directing has traditionally been a man's game, but the success of this quintet is helping to change the rules. (No comments yet)

Ray Carney Hacks Up Hollywood

An Interview with Ray Carney

by Diane Cherkerzian | Published May. 31, 1995

Outspoken film visionary, historian and consumer advocate Ray Carney takes Hollywood's sacred cash cows to the slaughterhouse. You'll love his sure-fire formula for winning an Academy Award. (No comments yet)

Oliver Stone Unturned

Tom Allen and Tim Rhys | Published Apr. 15, 1995

Oliver Stone tells MovieMaker about his early career, his conversion to Buddhism, and what he thinks of Quentin Tarantino. Just for starters. (No comments yet)

Shame, Fame and the Publicity Game

A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick

by Jack Watson | Published Apr. 14, 1995

Publicity is something independent moviemakers generally think about when it's too late. What should a publicist be doing for you? (No comments yet)

Of Guerillas and Weasel

by James Westby | Published Apr. 13, 1995

One moviemaker offers his intrepid strategies for making a film with little or NO MONEY DOWN! Presenting "Budget Lite" 101. (No comments yet)

Richard Linklater’s All-Nighter

by Alice M. Hicks | Published Apr. 12, 1995

The unpretentious Austin native goes mainstream with his third film, Before Sunrise. Vienna is a very long way from Slackerville. (No comments yet)

Robert Benton’s Film Landscapes

An interview with Robert Benton

by Paula Nechak | Published Apr. 11, 1995

From Bonnie and Clyde to Nobody's Fool, Robert Benton has always made movies with wit, style and sophistication. (No comments yet)

MM Notebook

by Timothy Rhys | Published Apr. 10, 1995

(No comments yet)

John Cassavetes

The raw, challenging films of one of America's indie pioneers are finally becoming available on video

by Rustin Thompson | Published Apr. 9, 1995

The raw, challenging films of one of America's indie pioneers are finally becoming available on video. (No comments yet)

ARRI I6S

A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick

by Jack Watson | Published Apr. 8, 1995

A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick. (No comments yet)

D/VISION PRO

Touch Vision Systems has designed a popular non-linear editing system with traditional film editors in mind.

by Jack Watson | Published Apr. 7, 1995

Touch Vision Systems has designed a popular non-linear editing system with traditional film editors in mind. (4 comments)

From Stage to Screen, Made Easy

If the next stage of your acting career is film, you'll want to hear what "Pocahontas" director Daniele Suisa has to say

by Colleen Patrick | Published Apr. 6, 1995

If the next stage of your acting career is film, you'll want to hear what "Pocahontas" director Daniele Suisa has to say. (1 comment)

Ron Shelton

"Tell the story and stay on schedule. Tell the story and stay on schedule. That's how I got here. "

by Timothy Rhys | Published Apr. 5, 1995

"Tell the story and stay on schedule. Tell the story and stay on schedule. That's how I got here. " (No comments yet)

Milcho Manchevski

by Andrew Hamlin | Published Apr. 4, 1995

In the shadow of the War in Bosnia, Milcho Manchevski completes Macedonia's first feature film, Before the Rain (1 comment)

Rena Owen

Kiwi actress Rena Owen, newly crowned Best Actress at the Montreal Film Festival, stars in New Zealand's biggest box-office smash.

by Cullen Gerst | Published Apr. 3, 1995

Kiwi actress Rena Owen, newly crowned Best Actress at the Montreal Film Festival, stars in New Zealand's biggest box-office smash. (No comments yet)

Not Our Son

Northwest arson spree kindles inspiration for former "A Current Affair" field producer's television movie of the week

by George Wing | Published Apr. 1, 1995

Northwest arson spree kindles inspiration for former "A Current Affair" field producer's television movie of the week. (No comments yet)

Woody Strode

by Sam Franklin | Published Mar. 31, 1995

Veteran character actor, legendary athlete and pioneer, Woody Strode was the last of The Professionals (8 comments)

Los Angeles Independent Film Festival

Sundance spillover finds indie oasis in Tinseltown

by Brian O'Hare | Published Mar. 31, 1995

Sundance spillover finds indie oasis in Tinseltown. (No comments yet)

Raising Cain with Abel Ferrara

by Rustin Thompson | Published Jan. 1, 1995

The director of Bad Lieutenant has developed a cult following by exploring the deepest, darkest corners of humanity. (No comments yet)

The Vision Alan Rudolph

by Timothy Rhys | Published Jan. 1, 1995

At long last, the direg last, the director of Mrs. Parker and the Vicious Circle decides to deal with reality. (No comments yet)

Lessons From Orson

by Henry Jaglom | Published Oct. 31, 1994

One of Orson Welle's closest friends in his later years, Henry Jaglom shares advice from his mentor. Plus, a review of a "new" Welles film. (No comments yet)

What Do Distributors Want From Us, Anyway?

How To Avoid Distribution Hell

by Keith Bearden | Published Oct. 31, 1994

The second installment on our continuing series on "How to Avoid Distribution Hell." This time we talk to four microdistributors. (No comments yet)

Wild Hill

Walter Hill Rides The Western Wave.

by Marianne Cotter | Published Sep. 11, 1994

Like Peckinpah before him, Walter Hill has been accused of making movies that revel in violence. He answers that charge and talks about his new film, Wild Bill. (No comments yet)

Is Film School Worth It?

How Valuable is Film School?

by Tom Allen | Published Sep. 10, 1994

Didn't two or three really great movies get made before anyone ever heard of film school? Is formal education really the answer for aspiring moviemakers? Several successful motion picture directors give us their opinions. (No comments yet)

Lina Wertmüller, Lost and Found

Not Missing, Just Misinterpreted

by Jon Silberg | Published Sep. 9, 1994

Although Ciao, Professore! is an upbeat departure from her previous work, that doesn't mean the brilliant Italian director is any easier to understand. (1 comment)

The Motion Picture Association of America: Natural Born Censors?

Like it or not, the MPAA ratings code discourages artistic freedom, but the worst part is that the system may not even be fair to independents without much clout.

by Jeff Schwager | Published Sep. 8, 1994

When Clerks got slapped with the dreaded NC- 17, Jeff decided to recap the MPAA's reasoning behind a ratings system he believes is seriously out of order. (1 comment)

Bloody Sam’s Misogynistic Vision

Seduced by booze and drugs and fascinated by prostitutes, Sam Peckinpah took whatever he needed to satisfy his creative urges.

by Rustin Thompson | Published Sep. 7, 1994

Did Sam Peckinpah hate women? While the director's cinematic voice was lone and eloquent in his idealized depiction of the traditional American male, his females definitely got no respect. (1 comment)

“Heads Up” Video Monitoring Is Here

Don't throw away the SteadiCam, but this new system can improve your field monitoring.

by Kennedy Grey | Published Sep. 6, 1994

Virtual Vision's "heads up" video monitor may soon be a practical alternative in the field. (1 comment)

Stars in Your Eyes? Here’s Looking at You

Great directors will tell you that one of the secrets to becoming an effective movie actor is the ability to communicate through the eyes.

by Colleen Patrick | Published Sep. 5, 1994

Take it from Frank Capra - using your eyes effectively is one of the keys to becoming a film star. (No comments yet)

Festival Beat

The Independent Feature Film Market in New York sets itself apart as a premier marketing opportunity for independent moviemakers by encompassing scripts, shorts, and works-in progress.

by Brian O'Hare | Published Sep. 4, 1994

The Independent Feature Film Market in New York is where indies go to get noticed. (No comments yet)

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