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How I Made a 1 Mil. Feature Virtually for Free

Martin Scorses's tutelge helps launch a promising directorial career.

by Timothy Rhys | Published Mar. 31, 1994

A Seattle man tells how he made a million dollars movie without cash. (No comments yet)

Citizen Cotten

Suave, cool intelligent, he was one of the last survivors of Hollywood's golden era.

by Tom Barr | Published Mar. 7, 1994

During his forty-year career, Joseph Cotten's presence was felt in some of the most presitigious films of all time. (No comments yet)

Spielberg Finally Wins the Gold

Hollywood pays homage to its biggest breadwinner.

by Jeff Schwager | Published Mar. 5, 1994

Oscar predictions and reflections from the editor of LA's BoxOffice Magazine. (No comments yet)

Another Getaway

Walter Hill is the latest moviemaker to get his way with Jim Thompson's dark visions.

by Tom Barr | Published Mar. 4, 1994

With The Getaway remake, Jim Thompson's cult status is alive and well. (No comments yet)

Scraping Bottom

The third annual Lucky Charm Awards prove that there are a lot of sickos out there with video cameras.

by Kelly Hughes | Published Mar. 3, 1994

More than you ever need to know about the Lucky Charm awards. (No comments yet)

MM Notebook

by Timothy Rhys | Published Mar. 1, 1994

Hot air, braggadocio, and ramblings from the editorial department. (No comments yet)

Pay Attention to the Man Behind the Curtain

This month MovieMaker reviews two books about "Influence."

Paula Hunt & Tom Barr | Published Feb. 28, 1994

Paula Hunt reviews The Phantom Empire, and Tom Barr gives a thumbs up to Behind the Oscar: A Secret History of the Academy Awards. (No comments yet)

Portrait of the Screenwriter as a Young Man

Seattle screenwriter George Wing talks about his first taste of success.

by Kelly Hughes | Published Feb. 28, 1994

An interview with George Wing, a Seattle-based screenwriter with lots of options for his future. (No comments yet)

“Making it” in Super 8

The Rodney Dangerfield of motion picture film formats is finally getting some respect.

by Tom Allen | Published Feb. 8, 1994

A new film stock is helping make Super 8 a viable format for professional moviemakers. (No comments yet)

Mike Leigh

With no scripts and no delusions, Mike Leigh's chosen direction dinall pays off.

by Jeff Schwager | Published Feb. 7, 1994

With his Cannes Best-Director award and a hot new movie, Director Mike Leigh may finally get the popular recognition he deserves. (No comments yet)

Extreme Projectionist

It's OK with Dennis Nyback if you don't like the image he projects.

by Paula Hunt | Published Feb. 6, 1994

Dennis Nyback's Pike Street Cinema could be the Northwest's most unusual movie house. (No comments yet)

Making History Hollywood Style

Steven Spielberg remakes Schindler in his own image.

by Jeff Schwager | Published Feb. 5, 1994

Speilberg's spoonful of sugar prevents Schindler's List from being one of the all-time greats. (No comments yet)

A Touch of Welles

The "greatest of all sleaze movies" is recognized a national treasure.

by Tom Barr | Published Feb. 4, 1994

Orson Welles must be having a good last laugh at that wrap party in the sky. (No comments yet)

Posing at the Posies

It sounds like a stretch, but moshing is a lot like moviemaking. No, really...

by Kelly Hughes | Published Feb. 3, 1994

A brief analysis of "moshing" as it applies to moviemaking. Seriosly, folks. (No comments yet)

Letters

by Letters | Published Jan. 31, 1994

(No comments yet)

High on Hollywood

Steve Wright's Federal Way helicopter company loves to fly for the studios, and it shows.

by Kelly Hughes | Published Jan. 31, 1994

A strong Washington film industry would be a book for businesses like Steven Wright's helicoptor company. (No comments yet)

Scapegoat: Hollywood

The movie industry takes cover as the new censorship advocates gather strength.

by Mark Eleison | Published Jan. 9, 1994

Will the movie industry censor itself now that government has threatened to clean up its act? (No comments yet)

Joy & Luck in Hollywood

Ron Bass talks about The Joy Luck Club, Sleeping With the Enemy, and how he got to be Hollywood's busiest screenwriter.

by Jeff Schwager | Published Jan. 8, 1994

He may be the busiest screenwriter in Hollywood, but this Oscar-winner wouldn't have it any other way. (No comments yet)

McElwee’s March - Part 2

As in life, there are no scripts to Ross McElwee's Films. And he hopes to keep it that way.

by Paula Hunt | Published Jan. 7, 1994

The art hours phenom talks about the changes success has brought to his career. (No comments yet)

Visions From Down Under

Peter Weir and Jane Champion sail into the mystic

by Jeff Schwager | Published Jan. 6, 1994

The sensibilities of foreign directors seem to change after coming to America. (No comments yet)

Triumph and Tragedy

The only U.S. film to be blacklisted, Salt of the Earth finally makes its debut on home video.

by Tom Barr | Published Jan. 5, 1994

The only U.S. film ever blacklisted debuts on home video. (No comments yet)

Video Masturbation

You have to master the fundamentals if you want to master your doman.

by Kelly Hughes | Published Jan. 3, 1994

You can do it all in the video world… but are you the master of your doman? (No comments yet)

Sweet Little Films

MovieMaker talks to Zola Mumford and Tom Hodges about their latest projects.

Tim Rhys & Kelly Hughes | Published Jan. 1, 1994

Seattle moviemakers Zola Mumford and Tom Hodgson do the chin wag, and we write it down. (1 comment)

That’s a Wrap

Much-hyped weekend event a disappointment- workshops light on details and substance.

by Paula Hunt | Published Jan. 1, 1994

The First "Annual" Port Townsend Feature Film Conference is a bust (No comments yet)

Ross McElwee’s March

As in life, there are no scripts to Ross McElwee's films. And he hopes to keep it that way.

by Paula Hunt | Published Dec. 7, 1993

Ross McElwee talks about his new project and how having a family has affected his career. (No comments yet)

High and Low

Adapting Edith Wharton, Raymond Carver, and The Fugitive

by Jeff Schwager | Published Dec. 5, 1993

The benefits and pitfalls of translating other art forms into movies. (No comments yet)

The Friend or Dafoe?

Body of Evidence and Light Sleeper, two Willem Dafoe thrillers on video.

by Tom Barr | Published Dec. 4, 1993

Madonna and Willem Dafoe have deviant sex in Body of Evidence. (No comments yet)

No Absence of Malice

A look at current movies with a no-punches-pulled attitude

by Mike Walker | Published Dec. 2, 1993

Reviews of Farewell My Concubine, Twenty Bucks, and Malice. (No comments yet)

Video Is Not Slumming

Local creator of the "Lucky Charm Awards," an acclaimed alternative video festival, gives a primer for video auteurs

by Kelly Hughes | Published Dec. 1, 1993

You're good enough, you're smart enough, and you still shoot video. And that's... okay. (No comments yet)

From the Publisher

by Timothy Rhys | Published Nov. 30, 1993

So how come we need another movie magazine, anyway? (No comments yet)

Carl Darchuk’s Higher Education

A local moviemaker fights the system after completing his first feature film

by Timothy Rhys | Published Nov. 30, 1993

Carl Darchuk of Renton looks back at the making of his first feature. (No comments yet)

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