by Kathleen McInnis | Published Nov. 30, 1995

Mike Figgis scores big in Las Vegas by returning to his Super 16 indie roots. (No comments yet)

Nice Girls Finish First, Mira Sorvino

With a slew of indies and Woody Allen's new movie about to be released, would-be wild woman Mira Sorvino is in serious danger of becoming The Next Big Thing.

by Timothy Rhys | Published Sep. 3, 1995

With a slew of indies and Woody Allllen's new movie about to be released, would-be wild woman Mira Sorvino is in serious danger of becoming The Next Big Thing. (No comments yet)

The Father of Hollywood

Producer Father Bud Kieser Brings His Mission to the Movies

by Tony Leahy | Published Sep. 2, 1995

Producer Father Bud Kieser brings his mission to the movies. (1 comment)

The Reformation of a Rebel Without a Crew

by Rustin Thompson | Published Sep. 1, 1995

Robert Rodriquez, the former desperado of El Mariachi fame, shows Hollywood how to make a movie. (No comments yet)

John Schlesinger Rides the High Road

Tim Rhys and Tom Allen | Published Aug. 31, 1995

Blood and guts is the easy way out, says the creator of Midnight Cowboy, and old master John Schlesinger is having none of it, thank you very much. (No comments yet)

Henry Jaglom, The Independent’s Independent

by Timothy Rhys | Published Jul. 31, 1995

He's been making movies for 20 years and with his new film, Last Summer in the Hamptons, he may become a household name. (No comments yet)

Secrets of Hollywood’s Top Screenwriters

by Lyall Bush | Published Jul. 31, 1995

A discussion with Robert Towne, Buck Henry, John Milius, et. al. on the joys and sorrows of creating the blueprints for the movies we love. (No comments yet)

Ray Carney Hacks Up Hollywood

An Interview with Ray Carney

by Diane Cherkerzian | Published May. 31, 1995

Outspoken film visionary, historian and consumer advocate Ray Carney takes Hollywood's sacred cash cows to the slaughterhouse. You'll love his sure-fire formula for winning an Academy Award. (No comments yet)

Five Fabulous Film Fatales

Five Fabulous Film Fatales

by Rustin Thompson | Published May. 31, 1995

Directing has traditionally been a man's game, but the success of this quintet is helping to change the rules. (No comments yet)

Oliver Stone Unturned

Tom Allen and Tim Rhys | Published Apr. 15, 1995

Oliver Stone tells MovieMaker about his early career, his conversion to Buddhism, and what he thinks of Quentin Tarantino. Just for starters. (No comments yet)

Shame, Fame and the Publicity Game

A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick

by Jack Watson | Published Apr. 14, 1995

Publicity is something independent moviemakers generally think about when it's too late. What should a publicist be doing for you? (No comments yet)

Of Guerillas and Weasel

by James Westby | Published Apr. 13, 1995

One moviemaker offers his intrepid strategies for making a film with little or NO MONEY DOWN! Presenting "Budget Lite" 101. (No comments yet)

Richard Linklater’s All-Nighter

by Alice M. Hicks | Published Apr. 12, 1995

The unpretentious Austin native goes mainstream with his third film, Before Sunrise. Vienna is a very long way from Slackerville. (No comments yet)

Robert Benton’s Film Landscapes

An interview with Robert Benton

by Paula Nechak | Published Apr. 11, 1995

From Bonnie and Clyde to Nobody's Fool, Robert Benton has always made movies with wit, style and sophistication. (No comments yet)

MM Notebook

by Timothy Rhys | Published Apr. 10, 1995

(No comments yet)

John Cassavetes

The raw, challenging films of one of America's indie pioneers are finally becoming available on video

by Rustin Thompson | Published Apr. 9, 1995

The raw, challenging films of one of America's indie pioneers are finally becoming available on video. (No comments yet)

Ron Shelton

"Tell the story and stay on schedule. Tell the story and stay on schedule. That's how I got here. "

by Timothy Rhys | Published Apr. 5, 1995

"Tell the story and stay on schedule. Tell the story and stay on schedule. That's how I got here. " (No comments yet)

Milcho Manchevski

by Andrew Hamlin | Published Apr. 4, 1995

In the shadow of the War in Bosnia, Milcho Manchevski completes Macedonia's first feature film, Before the Rain (1 comment)

Rena Owen

Kiwi actress Rena Owen, newly crowned Best Actress at the Montreal Film Festival, stars in New Zealand's biggest box-office smash.

by Cullen Gerst | Published Apr. 3, 1995

Kiwi actress Rena Owen, newly crowned Best Actress at the Montreal Film Festival, stars in New Zealand's biggest box-office smash. (No comments yet)

Not Our Son

Northwest arson spree kindles inspiration for former "A Current Affair" field producer's television movie of the week

by George Wing | Published Apr. 1, 1995

Northwest arson spree kindles inspiration for former "A Current Affair" field producer's television movie of the week. (No comments yet)

Woody Strode

by Sam Franklin | Published Mar. 31, 1995

Veteran character actor, legendary athlete and pioneer, Woody Strode was the last of The Professionals (8 comments)

Los Angeles Independent Film Festival

Sundance spillover finds indie oasis in Tinseltown

by Brian O'Hare | Published Mar. 31, 1995

Sundance spillover finds indie oasis in Tinseltown. (No comments yet)

The Vision Alan Rudolph

by Timothy Rhys | Published Jan. 1, 1995

At long last, the direg last, the director of Mrs. Parker and the Vicious Circle decides to deal with reality. (No comments yet)

Raising Cain with Abel Ferrara

by Rustin Thompson | Published Jan. 1, 1995

The director of Bad Lieutenant has developed a cult following by exploring the deepest, darkest corners of humanity. (No comments yet)

Reviews: Ed Wood Have Been Proud

by Paula Hunt | Published Nov. 1, 1994

Tim Burton, who gave the horror genre a “Leave it to Beaver” twist with Frankenweenie, made Paul Reubens a role model in Pee Wee’s Big Adventure and added a hint of menace to Batman, has moved beyond TV-land inspirations to make a movie about a moviemaker. With Ed Wood, Burton has created a weirdly loving portrait of a man often mentioned as the worst director of all time. (1 comment)

Carty Talkington Hits the Mark with Love and a .45

by Tom Allen | Published Nov. 1, 1994

In Love and a .45, writer-director Carty Talkington has created a stylized, darkly comedic journey through the contemporary American landscape of murder, media, music, controlled substances and unbridled love. Fast-paced and infused with a refreshingly twisted take on pop culture, the film lures the viewer in with its peculiar charm before springing a plot and tone shift that at once stuns and captivates. Filled with unexpected strong performances and a rollicking musicality that often runs counterpoint to the dramatic mood, the film hardly plays like a directorial debut. (No comments yet)

Tom Noonan Tries to Figure Out What Happened

by Lyall Bush | Published Nov. 1, 1994

Financed with his own money, actor and first-time director Tom Noonan's What Happened Was... has become another 1994 indie success story. (No comments yet)

Fresh Director Boaz Yakin Proves You Can Make it Sans the Hype

by Ann Hedreen | Published Nov. 1, 1994

Fresh is a knockout of a first film. Well-crafted and poetically paced, it is a movie so simple and straightforward in storyline that it feels like a completely “fresh” approach to moviemaking. So how did director Boaz Yakin do it? Where did it all begin? (No comments yet)

In My Japanese Cousin, The Talent’s in the Music

by George Wing | Published Nov. 1, 1994

Maria Garguilo finds the Seattle scene a source of fledgling actors and cheap labor for her first feature, The Year of My Japanese Cousin. (No comments yet)

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