Cinematography

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From the Battlefield to the Deep End

A high contrast conversation with British cinematographer Giles Nuttgens

by Paula Schwartz | Published Feb. 3, 2007

For British cinematographer Giles Nuttgens, the accolades he's receiving for The Deep End must seem like a trip from the ridiculous to the sublime. Last year critics described his work on the John Travolta bomb Battlefield Earth as dark and murky. But that was last year... (No comments yet)

Things I’ve Learned As A Moviemaker

by Jim Denault | Published Feb. 3, 2007

Sometimes you can see better and tell a story better if you are outside a little bit. (No comments yet)

Lucky Breaks

Q & A with Cinematographer Jim Denault

by Jennifer M. Wood | Published Feb. 3, 2007

Since lensing his first feature, Michael Almereyda¼s Another Girl, Another Planet, in 1992, cinematographer Jim Denault has become the DP of choice for some of the independent film world's most recognized talents. Now, he's teamed up with director Jim McKay (Girls Town) to help create the realistically gritty world of three young women growing up in Crown Heights, Brooklyn in Our Song. (No comments yet)

Things I’ve Learned As A Moviemaker

by Antony Hoffman | Published Feb. 3, 2007

You learn to stay true to the page. No matter how hard this movie got in terms of the logistics, I focused on the script. What does this scene mean to me? What does that line mean to me? (No comments yet)

Life on Mars

A Conversation with Red Planet's Antony Hoffman

by Scott Essman | Published Feb. 3, 2007

First-time director Antony Hoffman's recently released Red Planet has got film fans wondering: is there life on Mars? And, if so, why is he searching for it in the Australian outback? (No comments yet)

Things I’ve Learned As A Moviemaker

by Renny Harlin | Published Feb. 3, 2007

What I have learned from my filmmaking experience is to trust my instincts. (No comments yet)

Shooting Action

An Interview with Renny Harlin

by Scott Essman | Published Feb. 3, 2007

Finnish director Renny Harlin has been actively making big-budget, action films in the U.S. since the mid-1980s, when he made a splash with the high-profile sequels A Nightmare on Elm Street 4: The Dream Warriors and Die Hard 2: Die Harder. (No comments yet)

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Latest from the blog:

Jaman Launches “Movie Channel for the World”

Jaman.com announced the availability of instantly streamed, HD-quality movies—for free.

With nothing more than a simple click, cineastes can watch one of 100 ad-supported titles from the online distributor's collection of more than 3,000 films at no cost. Alternatively, those viewers who are less inclined to "pay" for the free films by watching the ads can pay just $1.99 to watch them commercial-dree. “By offering a free streaming media service along with our current rental and ownership download options, we are anticipating the future of digital cinema," says Jaman founder and CEO, Gaurav Dhillon. "With streaming, we provide our community with a quality viewing experience that is free and for our advertisers, we deliver a unique audience and premium and targeted placement opportunities.”

Posted 05.15.08 | News/Commentary | 1 comment