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Cinematography
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From the Battlefield to the Deep End
A high contrast conversation with British cinematographer Giles Nuttgens
For British cinematographer Giles Nuttgens, the accolades he's receiving for The Deep End must seem like a trip from the ridiculous to the sublime. Last year critics described his work on the John Travolta bomb Battlefield Earth as dark and murky. But that was last year...
(2 comments)
Things I’ve Learned As A Moviemaker
Sometimes you can see better and tell a story better if you are outside a little bit.
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Lucky Breaks
Q & A with Cinematographer Jim Denault
Since lensing his first feature, Michael Almereyda¼s Another Girl, Another Planet, in 1992, cinematographer Jim Denault has become the DP of choice for some of the independent film world's most recognized talents. Now, he's teamed up with director Jim McKay (Girls Town) to help create the realistically gritty world of three young women growing up in Crown Heights, Brooklyn in Our Song.
(3 comments)
Things I’ve Learned As A Moviemaker
You learn to stay true to the page. No matter how hard this movie got in terms of the logistics, I focused on the script. What does this scene mean to me? What does that line mean to me?
(3 comments)
Life on Mars
A Conversation with Red Planet's Antony Hoffman
First-time director Antony Hoffman's recently released Red Planet has got film fans wondering: is there life on Mars? And, if so, why is he searching for it in the Australian outback?
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Things I’ve Learned As A Moviemaker
What I have learned from my filmmaking experience is to trust my instincts.
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Shooting Action
An Interview with Renny Harlin
Finnish director Renny Harlin has been actively making big-budget, action films in the U.S. since the mid-1980s, when he made a splash with the high-profile sequels A Nightmare on Elm Street 4: The Dream Warriors and Die Hard 2: Die Harder.
(6 comments)
In Gear: The Power of Plug-Ins
Some of the most useful post-production tools come in the form of "plug-ins" that add features to compositing software
From realistic gunfire to a snowstorm of your own making, some of the most useful post-production tools come in the form of "plug-ins," which add features to compositing software in a fraction of the time.
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Internet Distribution: The Big Squeeze
If you're serious about moviemaking, sooner or later you're going to have to deliver a video for Web streaming. Here's a primer on how various tools succeed at shrinking your work down to byte-sized files.
Before you can become the next YouTube success story, you've got to know how to compress your film.
(12 comments)
Into Costume
Who says you need a big budget to create historical threads? Here's a primer on how to fake, beg, borrow and buy costumes and accessories that will add some flair to your production.
Before you shoot your next big western or that longawaited period piece, get the lowdown on the best way to get your cast into costume.
(2 comments)
Homemade Gear
Kids, try this at home! Even on a micro budget, you can build your own dolly, crane and multi-outlet dimmer box from parts and materials available at local retailers
Don't have the money for a dolly, crane or multi-outlet dimmer box? Why not build your own?
(7 comments)
The Intelligent Lighting Kit
Lighting equipment varies with location, style and weather. These 10 state-of-the-craft tools can give you the professional look you want.
Lighting equipment varies with every film. But these 10 state-of-the-craft tools can move with you from project to project.
(6 comments)
Hellooo, Dolly!
Most moviemakers believe the cost of owning a dolly to be prohibitive. They may reconsider when they hear about this light, compact version.
Most moviemakers believe the cost of owning a dolly to be prohibitive. They may reconsider when they hear about this light, compact version.
(1 comment)
ARRI I6S
A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick
A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick.
(6 comments)
D/VISION PRO
Touch Vision Systems has designed a popular non-linear editing system with traditional film editors in mind.
Touch Vision Systems has designed a popular non-linear editing system with traditional film editors in mind.
(7 comments)
“Heads Up” Video Monitoring Is Here
Don't throw away the SteadiCam, but this new system can improve your field monitoring.
Virtual Vision's "heads up" video monitor may soon be a practical alternative in the field.
(2 comments)
From Russia with Lens
We'd been hearing conflicting reports about those new, low-cost Russian cameras. So we decided to check them out for ourselves.
Are those new Russian cameras a viable alternative to the cameras you can't afford?
(8 comments)
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