Advertisement
Acting | Associations | Auteur | Cinematography | Digital | Directing | Editing | Education | Exhibition | Festivals | Indie Movie Guide | Internet | Locations | Screenwriting
Cinematography
Page 4 of 4 pages « First < 2 3 4
Life on Mars
A Conversation with Red Planet's Antony Hoffman
First-time director Antony Hoffman's recently released Red Planet has got film fans wondering: is there life on Mars? And, if so, why is he searching for it in the Australian outback?
(No comments yet)
Things I’ve Learned As A Moviemaker
What I have learned from my filmmaking experience is to trust my instincts.
(No comments yet)
Shooting Action
An Interview with Renny Harlin
Finnish director Renny Harlin has been actively making big-budget, action films in the U.S. since the mid-1980s, when he made a splash with the high-profile sequels A Nightmare on Elm Street 4: The Dream Warriors and Die Hard 2: Die Harder.
(No comments yet)
In Gear: The Power of Plug-Ins
Some of the most useful post-production tools come in the form of "plug-ins" that add features to compositing software
From realistic gunfire to a snowstorm of your own making, some of the most useful post-production tools come in the form of "plug-ins," which add features to compositing software in a fraction of the time.
(No comments yet)
Internet Distribution: The Big Squeeze
If you're serious about moviemaking, sooner or later you're going to have to deliver a video for Web streaming. Here's a primer on how various tools succeed at shrinking your work down to byte-sized files.
Before you can become the next YouTube success story, you've got to know how to compress your film.
(1 comment)
Into Costume
Who says you need a big budget to create historical threads? Here's a primer on how to fake, beg, borrow and buy costumes and accessories that will add some flair to your production.
Before you shoot your next big western or that longawaited period piece, get the lowdown on the best way to get your cast into costume.
(1 comment)
Homemade Gear
Kids, try this at home! Even on a micro budget, you can build your own dolly, crane and multi-outlet dimmer box from parts and materials available at local retailers
Don't have the money for a dolly, crane or multi-outlet dimmer box? Why not build your own?
(No comments yet)
The Intelligent Lighting Kit
Lighting equipment varies with location, style and weather. These 10 state-of-the-craft tools can give you the professional look you want.
Lighting equipment varies with every film. But these 10 state-of-the-craft tools can move with you from project to project.
(No comments yet)
Hellooo, Dolly!
Most moviemakers believe the cost of owning a dolly to be prohibitive. They may reconsider when they hear about this light, compact version.
Most moviemakers believe the cost of owning a dolly to be prohibitive. They may reconsider when they hear about this light, compact version.
(No comments yet)
ARRI I6S
A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick
A crystal sync motor could keep your movie from resembling a badly-dubbed chopsockie flick.
(No comments yet)
D/VISION PRO
Touch Vision Systems has designed a popular non-linear editing system with traditional film editors in mind.
Touch Vision Systems has designed a popular non-linear editing system with traditional film editors in mind.
(4 comments)
“Heads Up” Video Monitoring Is Here
Don't throw away the SteadiCam, but this new system can improve your field monitoring.
Virtual Vision's "heads up" video monitor may soon be a practical alternative in the field.
(1 comment)
From Russia with Lens
We'd been hearing conflicting reports about those new, low-cost Russian cameras. So we decided to check them out for ourselves.
Are those new Russian cameras a viable alternative to the cameras you can't afford?
(No comments yet)
Advertisement
![]()
Latest from the blog:
Doorpost Awards $300,000 to “Undiscovered” Moviemakers
The Doorpost Film Project, a “contest aimed at discovering and developing moviemakers capable of producing films that inspire and influence rather than simply entertain,” just finished round one and is now left with 15 finalists who are described by Nathan Elliott, the Project's director, as “a globally, ethnically and racially diverse group of filmmakers that have one important thing in common: They're enormously talented."
Posted 07.23.08 | News/Commentary | No comments yet...
Other recent posts:
Citizen Kane Tops 99 Remarkable Films of the World
Grassroots Moviemaker: Building a Moviemaking Team
Batman Flies High Over the Box Office
Posts people are talking about:
![]()
SITE DELIVERY OPTIONS
![]()


