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David Rennke Finds his Pearl with Avid
David Rennke has been an editor for more than 20 years and has used every editing system imaginable—but always finds himself gravitating back to Avid. On his latest project, editing King Hollis' independent film Pearl, Rennke used Avid Media Composer 3.0.5. He edited most of Pearl’s dailies on his laptop, on set, which made the process convenient and efficient. For finishing, he used Avid DS v.10 with DNxHD 220x. This allowed everything to work seamlessly and without any crashes—something that surely would have disrupted the film’s 23 precisely scheduled shoot days.
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Keith Reamer Cuts Amreeka

The prospect of working with a language foreign to one’s own would be a daunting challenge for virtually anyone. Yet, Amreeka, in which more than half the language is spoken in Arabic, was an adventure on which editor Keith Reamer was eager to embark.
Editor David Michael Maurer has Audiences Shrieking with Splinter

Recent festival hit Splinter, a movie about a parasite that turns its victims into blood-lusting hosts, is a perfect example of how editing affects audiences’ reactions. Editor David Michael Maurer, an Emmy-nominated master of his craft, took an inventive approach when collaborating with director Toby Wilkins. Just days before Splinter took home six awards (Best Editing and Best Picture among them) at Screamfest, MovieMaker spoke with Maurer about his process and what inspires him to do what he does so well.
50 Best Websites for Moviemakers 2009
The Internet offers moviemakers a unique opportunity for sharing their work with the world. But distribution is not the only way the Web can assist aspiring and seasoned auteurs alike. From pre-production through post, millions of Websites help today’s cinema artists further their careers. How can you separate the best from the rest? For starters, you can use our second annual roundup of the 50 Best Websites for Moviemakers.
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Slumdog Millionaire is Top Dog at 2009 Oscars
As predicated, Danny Boyle's little-indie-that-could, Slumdog Millionaire, took home the most awards at last night's Oscar ceremony, claiming eight Golden Guys in all, including those for Best Picture, Best Director, Best Cinematography for Anthony Dod Mantle, Best Editing for Chris Dickens and two nods for its music, one for Best Original Score and the other for Best Original Song.
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Bringing The Spirit to Life
With technological breakthroughs and inventive storytelling, Frank Miller is making sure that the innovative spirit of his friend and mentor Will Eisner lives on in his latest directorial effort.
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John Ottman Goes to Editing Jail for Valkyrie
Any moviemaker would jump at the chance to work on a Bryan Singer movie. However, editor and composer John Ottman, who has cut and scored every one of Singer's flicks excluding only X-Men (which Ottman declined so he could direct his debut feature, Urban Legends: Final Cut), does not greet each opportunity with glee. In fact, he refers to going to work on each movie as going to "editing jail." He says this in jest... well, mostly in jest.
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Kung Fu Panda Drop Kicks the Competition
Seems like all those promos must have paid off—first at Cannes, then the TV commercial onslaught—as Kung Fu Panda kicked some serious butt at the box office over the weekend, out-grossing Adam Sandler's new film, You Don't Mess With the Zohan, by 50 percent. The animated action flick, featuring the voices of Jack Black, Angelina Jolie, Dustin Hoffman and Jackie Chan, took in $60 million over the weekend—while Zohan earned $40 million.
Harrison Ford and Shia LaBeouf's Indiana Jones and the Kingdom of the Crystal Skull held strong in the number three position with $22.8 million, while last year's surprise topper, Michael Patrick King's Sex and the City, saw a more than 62 percent decline in ticket sales, with a weekend total of $21.3 million.
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#81: Future of Moviemaking 2009
These stories were published in the Future of Moviemaking 2009 MovieMaker Magazine.
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- In Theaters Now: The Taking of Pelham, Moon, Tetro & More
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