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Truth and the Tropics
Not too large, not too small-Bermuda IFF is just right
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Bermuda International
Film Festival
Next Dates: April 16-22, 2004
Submission Deadline: December 1, 2003
Number of Films: 40 features; 32 shorts
in 2003.
Website: www.bermudafilmfest.com
Festival Director: Aideen Ratteray Pryse
I'd never been to bermuda, but that didn't mean I needed a lot of arm-twisting to escape the cold, wet Northeast for a few days in April to check it out. From what I knew, I expected to find a lush, friendly, tropical (okay, sub-tropical) paradise a short plane ride away—and I did. What I didn't expect to find was one of the best-run, best programmed mid-sized festivals I'd ever experienced. Even though 2003 marked just the sixth installment of the BIFF, it's obvious that festival director Aideen Ratteray Pryse and her dedicated staff are serious about making Bermuda one of the circuit's top stops.
Not that is isn't already a very classy operation. BIFF has it all, really, from the aforementioned unbeatable location (just two hours from Boston and New York) to the right mix of films, guests, sponsors and, perhaps most importantly, attitude.
“Our mission is to advance the love of independent film from around the world and to create a community welcoming to both filmmakers and filmgoers,” Pryse told me before a screening, in her warm but buttoned-down Bermudian-with-a-British-flavor way. Her unruffled demeanor belied the fact that the 2003 edition was not the easiest festival for her to pull off successfully. Not only was sponsorship support at first challenging to come by because of a weakened economy, but Pryse lost her father, the festival's spiritual founder, Stanley Ratteray (it was his idea to start a film festival in Bermuda), just two months before opening night.
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| Top to Bottom: BIFF jury member Chuck Workman with Barbara Workman; BIFF jury members David Ansen,Valerie Van Galder and Jeffrey Jacobs; guests enjoy the scene at an outdoor cocktail party; executive producer Timothy Burrill (The Pianist) and film critic Dave Poland enjoy another BIFF party. |
“You know how a duck looks calm on the surface but its feet are paddling like mad beneath? Aideen's like that,” someone said with a grin. She pulled it off swimmingly.
BIFF 2003 had a very strong world cinema showcase, including a sidebar on Icelandic films called “In from the Cold: The Films of Iceland.” Pryse conceived of the program after seeing Baltasar Kormákur's 101 Reykjavik. That quirky film, plus his latest, The Sea, screened to appreciative Bermuda audiences. Other fest highlights included a tribute to Portuguese director Manoel de Oliveira, a diverse selection of competition features, an incredible collection of documentaries and a couple of excellent films for young people.
Competition winners included director Josef Fares' farcical Kopps, the huge Swedish hit that took top narrative feature, while Patricia Lynn's Discovering Dominga beat some stiff competition, including Oscar-nominee Liz Garbus' The Nazi Officer's Wife to take the Best Documentary Feature prize. One highlight for me, personally, was The Man on the Train, Patrice Leconte's (Ridicule, The Hairdresser's Husband) hauntingly human fable about a world-weary gangster and mild retiree who “switch lives.” This movie quietly edged its way into my personal top 10 list (MM readers can expect an interview with Leconte in a future issue).
Along with Garbus' touching portrait of a sweet, tough-as-nails Holocaust survivor, the documentary Spellbound, by first-time doc director Jeff Blitz and producer Sean Welch, about the rabid competition for the Scripps Howard National Spelling Bee, was nothing short of miraculous. Other notable films included Marc Ottiker's Half the Rent from Germany, which was awarded a Special Jury Mention, and House of Fools, by Andrei Konchalovsky of Russia. Konchalovsky had moved to the U.S. in the early 1980s and made several high-profile films, such as Runaway Train and Tango & Cash, but filmed this surrealistic vision of the inhabitants of a mental hospital during the first Chechen war in his native country.
BIFF also pays attention to short moviemakers, and New York-based director Brad Aldous was one of those who said he was very pleased with the reception he and his film, Amores Payasos, received in Bermuda. Amores played to a nearly full house on two separate nights. Aldous said he had a great time, aside from his schizophrenic but hardly unique desire to be simultaneously watching films indoors and out exploring the island.
BIFF is a great place to network. Everyone is relaxed and accessible, and the parties are lively but subdued enough to allow conversation. Despite the prizes, the festival prides itself on maintaining a cooperative atmosphere where, says Pryse, “fellow filmmakers are viewed as colleagues rather than as competition.
“We're large enough to present a good selection of films,” she says, “but small enough that we have not lost our intimate feel.”
BIFF screened a selection of major motion pictures like Roman Polanski's The Pianist, (which you may have heard garnered Academy Awards for director Polanski and lead Adrien Brody) and island native son Michael Douglas' It Runs in the Family (which will not be garnering any awards, but did feature still-lucid legend Kirk Douglas). But while the organizers have worked hard to make the festival prestigious, they pride themselves on providing opportunities to up-and-coming moviemakers as well.
“We've been encouraging local filmmakers to submit works to our festival,” adds Pryse, “and have begun to see the emergence of a filmmaking community in Bermuda.
“We try to draw out the best younger filmmakers—whose films that are just below the radar, where it means something to win a prize at Bermuda. We choose on story, acting, directing and the ‘wow factor.' Once we've gotten them here, we want to put them in touch with contacts who will be useful to them. There's no ‘I've got to make a deal' pressure here, but you may make a deal over cocktails.
“We'll be tightening up the competition section next year, adding more world films and bringing on more international sponsors,” Pryse says.
“Do we want to get much bigger? Not necessarily. But even better? Yes.” —Tim Rhys
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| Moviemakers and festivalgoers can’t ask for a more beautiful backdrop than Bermuda. | |
Celebrating the Power of Documentary
Full Frame Documentary Film
Festival
Next Dates: April 1-4, 2004
Submission Deadlines: Late fall 2003 (subject to change)
Website: www.fullframefest.org
Festival Director: Nancy Buirski
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Finally, a festival that tells the truth. The Full Frame Festival began life as the DoubleTake Documentary Film Festival in 1998. It has grown in its hometown of Durham, North Carolina to become one of the world's best-respected documentary festivals, attracting such notable guests as Ross McElwee, Barbara Kopple, Errol Morris, Jonathan Demme, Fred Wiseman and Albert Maysles.
According to festival founder and director Nancy Buirski, the festival
has distinguished itself as the largest documentary film festival
in
Chris Hegedus, yet another of the prominent guests of this year's festival, screened Only the Strong Survive out of competition as part of Full Frame's special programming. The film, which she co-produced and co-directed with D.A. Pennebaker, documents the careers of nine great soul musicians who have kept performing despite fading interest in their art.
“The positive spirit of the festival and the fact that it is entirely documentaries make it special,” says Hegedus. “Besides our film screening at the festival, I was invited to co-curate a special film program with the head of the Ms. Foundation for Women, Marie Wilson.” The series, entitled “Leadership through a Gender Lens,” included films about women and leadership by Ken Burns, Paul Stekler and Judith Helfand .
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| Elisabeth Shue with husband Davis Guggenheim, whose father Charles E. Guggenheim was honored with the 2003 Full Frame Career Award. Full Frame founder and director Nancy Buirski addresses festival-goers in Durham, NC. | |
The quality of the festival's venues, including the historic Carolina Theatre, drew high praise from nearly all participants MM spoke with.
“The picture and sound quality could not have been better,” says Brett Ingram, whose feature Monster Road was screened as a work-in-progress this year. “Every element of the festival was run very smoothly. The organization, planning and attention to detail by the staff was apparent.”
Full Frame also works hard to include the Durham community in the festivities. From a selection committee made up exclusively of community members to programs designed by the local newspaper to the Southern barbecue awards ceremony, the festival is a local affair.
Hegedus typified the attitude of Full Frame attendees: “This is
a terrific festival that just needs support and awareness to keep
it growing.” —Jason Mann
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COMMENTS | POST A COMMENT 
- Comment by DaTa LiFe AnImE on 5/01/11 at 12:55 am
thank you a lots
انمي
مشاهد للماسنجر- Comment by all weather wicker on 7/08/11 at 2:09 pm
The Nassau is a very unique and high quality group at a great price. The Nassaumakes the perfect traditional Tropical bedroom. It is available in the white as shown and whitewash stains.
This story was published in the Summer 2003 MovieMaker Magazine. The headline was:
A Moviemaker's Paradise / Not too large, not too small-Bermuda IFF is just right
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