February 12, 2012

Things I’ve Learned As A Moviemaker

by Brad Anderson | Published February 3, 2007

Happy Accidents

Happy Accidents

On the Instinctive Formula

If you want to learn what kind of a filmmaker you are then trust your artistic instincts first, commercial instincts second and parents’ instincts last. If you want to make a lot of money, reverse these.

On Challenging the Audience

It’s better to challenge the audience and lose then pander to their every whim and win.

On the Definition of Independent Moviemaking

Deeming a film “independent” is just a matter of opinion rather then a definition based on tangibles like budget, cast, P&A budget, critics notices, etc.

On Avoiding Pigeonholes

In deciding your next project, it’s more satisfying to defy audience expectations then to get pigeonholed by them. Always reinvent yourself.

On Making Decisions on the Set

The take you are certain is the best while shooting often turns out to be least exciting take in the editing room. The moral here: print everything.

On Actors

There are two kinds of actors : the ones that get better the more takes you shoot, and the ones that get worse.

On the Importance of Craft Services

Good casting is over half the battle. Good writing is another quarter. Good craft services finishes the job.

On Good Casting

If you’ve cast the film correctly, then the best thing you can do for the actors and yourself while shooting is to stay out of their way and concentrate instead on keeping the atmosphere on your set pleasant. I.e. if it works, don't fix it.

On the Emotional Rollercoaster

It is entirely possible to hate your film in the morning and fall in love with it again by that afternoon. This usually happens late in the editing process.

On Scheduling

There is simply never enough time, no matter how prepared you are.

On Being Pessimistic

Expect the worst... then even the small victories seem charmed.

On the Importance of Sound

Never underestimate the importance of the sound guy.