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Ang Lee: Things I’ve Learned As A Moviemaker
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On Auterism
What does auteur mean? One who repeats himself?
On Subverting Genres
Whenever I do "genre" I try to bend it or mix in something else to find something refreshing.
On Making 'Kung Fu' Movies
There really is a powerful, raw energy in making martial arts movies, and I think they're very attractive and very inspiring to filmmakers. [At first] making them reminded me of when I did military service in Taiwan. It's mandatory.
I had to deliver the cheesy part on one hand, and the highbrow part on the other.
It's really torture to the actors, being hanged with wires is bad enough and then to have to act is really torture.
On the Goal of a Moviemaker
We live in the world of gravity, and we try to defy it.
On Cinematography
I use wide screens for horses, because they have big heads and they're high.
On Being Funny
Being funny doesn't mean anything, whether slapstick or pure comedy, whether romantic or absurdist. For me it would probably be the most difficult thing. Maybe I need more time.
If they were to point to a gun to my head and make me do a funny film, I wouldn't know how to do that.
On Future Projects
I think a thriller would be great, or a ghost story or, at a certain point, a musical.
On Action Sequences
Unless the movement is an extension of characterization and interpretation of the relationship, then it's no good.
On Stars
Stars are stars and you have to pay more attention to them than regular actors. They deserve to be shown more care. They have a contract with their audience.
On Male Desire
I suspect that it's a male fantasy to have a lot of potent women. It's even more fascinating to conquer them.
On Taiwanese Culture
In my culture, we don't have a creator. A God, anything three feet above our heads, is a mystery. We observe and try to humble and reduce our desire until we explode, and then there's chaos and people find new lies and a new balance; that's how the society works.
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It’s Official—Pre-production Begins
“I never ask people for permission to make a film. Instead, I present them with the fact that I’m making a film. If they’re wise, they’ll get in on it early.”
—Francis Ford Coppola
Last week our unit production manager for Rufus Rex officially started work and I paid UPS an astounding amount of money to deliver a letter to the Republic of Georgia officially inviting our lead actress to the United States. We’re also officially in pre-production on the grassroots (my preferred term, since I dislike “microbudget”—no art should be defined by its budget) movie Rufus Rex, which my 15-year-old son, Nick, and I wrote together last winter.
Posted 07.8.08 | Grassroots Moviemaker | No comments yet...
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