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Mixed Media:
Award-Winning
Touch Me Not
Explores Notions of Intimacy Through a Variety of Boundary-Pushing Methods
By
Ryan Coleman
Foreign Contenders:
Steven Yeun on Being a Man Without a Country, and His Enigmatic Character in South Korea’s
Burning
By
Carlos Aguilar
Foreign Contenders:
Rahmatou Keïta on Financing Niger’s
The Wedding Ring
Entirely with African Funds
By
Carlos Aguilar
Simply Good:
Alice Rohrwacher on Casting Off YouTube and Having a Wolf on Set for
Happy as Lazzaro
By
Carlos Aguilar
Still Learning:
Ben Is Back
Writer-Director Peter Hedges on Depicting Addiction
By
Ryan Coleman
21st Century Icon:
Vox Lux
Director Brady Corbet Used Dogme 95 and Super Bowl Cameras to Craft His Pop Epic
By
Ryan Coleman
Full of Color:
Nijla Mu’min on Seeking Representation in Her New Film
Jinn
By
Ryan Coleman
Unlocking the Key:
Charlie Plummer on his Horrifying Discovery of
The Clovehitch Killer
By
Ryan Williams
Fall From Race:
Jason Reitman Talks Gary Hart’s Political Demise in
The Front Runner
, Releasing Two Films in One Year
By
Ryan Coleman
Singapore Plays Itself:
In Sandi Tan’s
Shirkers
, a Nation (and its Daughter) Come of Age Onscreen
By
Kelly Leow
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