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Cinema Law: Location Permission

Welcome to “Cinema Law,” MovieMaker.com’s all-new blog where you ask the questions of our resident team of legal experts and, each week, they’ll provide the answers to your production queries. Have a burning question yourself? E-mail it to and your question may just be on next week’s blog! Cinema Law is presented as general information only and is not meant to take the place of professional legal advice.
Q: The trailer for my first film was recently posted online. A brief scene in the movie (which also appears in the trailer) was filmed at a local restaurant parking lot, which I never asked permission to use. Now, the restaurant’s owner, who had no knowledge of the film prior to the trailer’s release, says he’ll sue me unless the restaurant receives some sort of compensation. Does he have a case?
A: It appears that the restaurant owner believes that he has the right to compensation because his property and perhaps the trademarked name of his restaurant appear in your film. In all likelihood, that claim would fail. Obviously, a property owner has no right to compensation merely because his parking lot appears on screen. Imagine if a moviemaker filming in Times Square needed a license from every building, restaurant and store owner? This is untenable and not the law.
Similarly, although trademark owners often believe that their consent is required in order to depict their mark in a film, that is generally false as well. I would assume that any images of the name of the restaurant in your film are brief and just happenstance of the location. Such “incidental” use of a trademark should not give rise to a claim. The depiction of a mark in a film should only constitute trademark infringement where it is substantial enough that a reasonable viewer is likely to be confused as to the mark holder’s affiliation with, or sponsorship of, the movie. This “likelihood of confusion” is the standard for trademark infringement.
There are obvious examples where the use of a trademark in a film is so pervasive that the consuming public assumes some type of association between the mark and the film—Cast Away, with its blatant advertising of Fed Ex, jumps to mind. But if a trademark is depicted on screen only incidentally because the film happens to be shot in a location that has storefronts, billboards, etc., that is not likely to cause confusion and should not be adjudged as infringing. The many films showing scenes in Times Square or on the Las Vegas strip are good examples. It is almost impossible to have a scene in either of those locations without inevitably showing some trademarks. But so long as the trademarks are not depicted or used in such a way that consumers could believe there is a sponsorship of the film by that mark holder, there is no trademark infringement.
If your restaurant owner is not persuaded by the foregoing and is so litigious that he insists upon pursuing this trivial matter, the claim you should be more concerned with is trespass. Even though the restaurant is a public accommodation that invites guests—which invitation is a consent to the trespass—a claim can be asserted when an invitee exceeds the scope of that consent. Whether or not a trespass claim could be asserted depends on the circumstances. Either way, it is difficult to imagine what damages the restaurant owner has suffered because of the trespass, so one would hope that he could be persuaded not to assert this claim.
Gregory Korn is a Partner at Kinsella Weitzman Iser Kump & Aldisert, a high-profile, L.A.-based entertainment litigation firm, and specializes in the areas of entertainment and intellectual property litigation. He has represented actors, musicians and production companies in a variety of contract, trademark and copyright matters. Korn has also litigated numerous real estate and trust matters, including the successful representation of a trustor in a series of appeals before the Ninth Circuit Court of Appeals and California Court of Appeal. In 2007, Korn was named a “2007 Southern California Rising Star” by the publishers of Los Angeles Magazine. Korn is a graduate of the University of California, San Diego (B.A. 1996) and the UCLA School of Law, Order of the Coif, (J.D. 1999). Prior to practicing, Korn clerked for the Honorable Stephen V. Wilson, United States District Judge for the Central District of California.
The answers to legal questions provided by the lawyers of Kinsella Weitzman Iser Kump & Aldisert, LLP ("KWIKA") are for general education and information purposes only, and are not legal advice or legal opinions. The information provided in the articles is not intended to create a lawyer-client relationship between KWIKA and you. The opinions expressed in the postings are the opinions of the authors and do not reflect the opinions of KWIKA, its employees or agents.
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COMMENTS | POST A COMMENT 
- Comment by Chocolate on 9/23/09 at 10:03 am
I hadn’t thought about it that much before. People can sue for anything and often just defending against them is very expensive even if you win. I guess that’s why it’s good to raise enough money to have legal representation before you start the film.
- Comment by whushing on angels wings on 9/25/09 at 1:57 pm
Take it str8t from the horses mouth, Being sued or suing anyone for, whatever, is not an exact science, even when you can see no way of possibly losing. It is rare that the outcome gets even close to your wildest imagination. Truly. Even if you settle out of court, they’ve made a complete wreck out of your life and never broke a sweat, while you defend your right to inhale when everybody else in your general vacinity exhaled. It really does seem that pathetic. Don’t drag it out, and don’t beat a dead horse are only sound advice that may help put more money in your pocket and, may, is the key word here. All attorney’s get his/her percentage PLUS expenses wheather you go to court or settle at the table. The expenses of a long drawn out process will astound you and attest to what a sap you’ve been. Being smart trumps trying to be smart. It gets tricky when you’ve run into someone who just wants to mow you down and you can lose a whole lot a grass in the details.
- Comment by Morris on 9/27/09 at 1:26 am
Even if you settle out of court, they’ve made a complete wreck out of your life and never broke a sweat
- Comment by Mark@School Grants on 1/09/10 at 11:17 am
I totally agree. The case shouldn’t cause any confusion. Based on advertisements inserted in films, you can immediately recognize if it’s really a part of the film or not by the time allotted for their exposure. The longer the time is, the higher the possibility that it’s an advertisement on the part of the company.
- Comment by Jessie Jacob on 2/10/10 at 7:22 pm
Free advertisements in the films are normally seen on the movie. This free ads are given enough time for their viewers to notice the product/service. So basically, it’s very easy to figure out if it’s an ad or not.
- Comment by Andrew Davis on 2/24/10 at 2:28 am
Currently, some movies include free advertisement as part of their movie. Well, as we all know it’s their other source of income of course. You can easily distinguish if its a free ad for the movie or not.
- Comment by dresses on 4/25/10 at 9:19 pm
As a independent movie maker, you really need focus on your audience to make your movie a great success
- Comment by mobilya on 6/29/10 at 4:41 pm
Even if you settle out of court, they’ve made a complete wreck out of your life and never broke a sweat
- Comment by Winnie on 7/22/10 at 9:37 pm
Uh-oh!!How dare that the restaurant owner had the guts to tell you that. He should have thanked you since you have included his resto on your film, that is an advertisement and you did not even asked him a single dime for that. Btw, this is actually great! You can ask a serious question that is being answered by law itself. This is very education for us in knowing our rights.
- Comment by France on 7/26/10 at 5:57 am
Jim Jarmusch’s Golden Rules - what rules?
- Comment by Hochzeit Basel on 8/13/10 at 10:52 pm
I like the concept of restaurant and a boutique hotel is smaller than another hotel. I usually like a boutique hotel over a huge hotel. In boutique hotel the staff is smaller (not less) it is just the same people that you will run into because the hotel is smaller. This is a plus because they know you and you know them. if makes it more personal and usually you get better service when it is more personal
- Comment by Turf on 8/20/10 at 4:26 pm
I don’t really think that that would be needed.
- Comment by topsoil on 8/25/10 at 9:08 am
hotel is smaller. This is a plus because they know you and you know them. if makes it more personal and usually you get better service when it is more personal
- Comment by logs on 8/27/10 at 1:26 pm
This is a plus because they know you and you know them. if makes it more personal and usually you get better service when it is more personal
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5/13: Cinema Law: What’s an LLC, And Does Every Production Need One?4/08: Cinema Law: Who Owns the Copyright to Behind the Scenes Footage?
3/30: Cinema Law: Can I Film U.S. Currency?
12/14: Cinema Law: Screenwriter Rights
10/20: Cinema Law: I Shoot, He Scores
9/15: Cinema Law: Using a Song Title as Your Movie Title
9/08: Cinema Law: Using Footage for a School Project
9/02: Cinema Law: Big Star, No Money
8/25: Cinema Law: Protection for Behind the Scenes Footage
8/19: Cinema Law: Who Owns the Footage I Shot?
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